www.AnchorageNightOut.com - Blog - RSS feed

05/07/2012 - Alaska Native Heritage Center Season Opening Celebrates Mother's Day

Mon, 07 May 2012 08:00:00 GMT

The Alaska Native Heritage Center Season Opening Celebrates Mother's Day
and the centers 13th Anniversary.

Anchorage - The Alaska Native Heritage Center's summer season opens with their
annual Mother's Day event on May 13, 2012. Summer hours are 9:00 a.m. to 5:00 p.m. daily. In special recognition, Mother's Day admission is sponsored by Target and is free to the public.

Opening Day at the ANHC is a celebration of sight and sound. Colorful regalia, authentic
Native dance and storytelling entertain and educate all ages. Live demonstrations and guest
participation give visitors hands-on learning opportunities. Self-guided cultural tours and lifesized replicas of traditional village sites provide visitors with a real-world experience.

Special guests and performances include:
- Medicine Dream
- Pamyua Children's art activities
- Native Children's art activities
- Native Games demonstrations
- Native dancing by the Alaska Native Heritage Center Dancers, King Island singer and
Dancers of Anchorage, and Lipquinm Gumilgit Goagodim.

"Join us as we celebrate Mother's Day on a truly remarkable day, with performances from
Alaska's biggest musical performers Medicine Dream and Pamyua."
Annette Evans Smith, President and CEO.

The Alaska Native Heritage Center is a nonprofit organization dedicated to sharing,
perpetuating, and preserving Alaska Native cultures, languages, traditions and values through celebration and education. It is located at 8800 Heritage Center Drive in northeast Anchorage, just off Muldoon Road North near Bartlett High School. For more information about other events and programs, visit www.alaskanative.net

05/05/2012 - ANO BAND BLOG #13: MACHINECORPSE

Sat, 05 May 2012 08:00:00 GMT

by Jeremie Fincher

Machinecorpse is exactly what it sounds like. This project is a new, shiny steel vein in the living, bleeding, breathing anatomy that is the Alaskan metal scene. This Valley-based band formed around the skeletal framework of an idea, birthed by creator Chris Barton. Machinecorpse has come to life in the past, but it's reformation is a culmination of severely brutal talent. Their writing process is as unique as their style, and both have an electronic component that I've never seen in Alaska. Each member adds their own flavor, and the results are staked down to a click track, and played that way, live. This electric heartbeat is accompanied by programmed synthesizer, industrial, and even some dub-step type sounds and noises. The way everything is triple-stitched together, yet still alive and breathing, (screaming, even) is a frightening, supernatural experience. The self-dubbed 'slag-metal' is a fresh, new sound in this state.

From left to right: Chris Barton, Dennis Reid, Kellen Sharp, Adam Hulin, and Chuck Shumway

Chris Barton has held a set vision for Machinecorpse for a long time. The band has surfaced twice, unsuccessfully so, until now. "Egos and musical styles clashed," says Barton. It took him awhile, he says, but Chris slowly let up on the reigns of control for his vision when he started gathering competent and talented members that understood the formula and shared his vision. The current formation is a strange and selective combination.

Barton found Dennis Reid, Machinecorpse's vocalist, at a jam session he was invited to with former drummer Tommy Lee (no, that's not a mistake). Chris knew, as soon as he heard Reid's demonic gut-wrenching howl, that he was the voice he'd always wanted to front Machinecorpse. Reid has been the front man in a few Southcentral Alaskan bands, including Murder Is Justice and the recently disbanded Dire. He is an absolute spectacle to watch on stage. Terror, fright, anger and violence are not only vocalized, but displayed by Reid as he envelopes himself in the web of sound made by his friends and band mates.

Chuck Shumway and Kellen Sharp, former members of the short lived metal band Thousand Year War, decided to join the band separately, but still did so within three months of each other. "I am spoiled. I can't ever see myself working with a better drummer than Chuck." Sharp was asked to fill the bass position before 94.7 The End's Metal A&R Showcase in September of 2011, and took the job with a fury. He, shortly thereafter, suggested Shumway as a replacement drummer to the rest of the band, who were wondering what to do when Lee stepped away shortly after the A&R Showcase.

These two are the tightest rhythm section in Alaskan metal. Kellen's bass work is heartbreaking (in the best possible sense of the word). He has developed a unique tuning specifically designed for the caliber and style of Machinecorpse. He's melodic, sludgy, and devastating. Kellen was responsible for most of the string work in Thousand Year War, a band that was forcibly ripped from his and Shumway's hands. A copyright issue left Sharp high and dry, robbing him of his effort, material, and patience, without proof to contest. This tragedy undoubtedly fuels some of the fire felt in music of Machinecorpse.

Chuck is a proud father (as are all the men in Machinecorpse) and is engaged to be married to an amazing, supportive woman on August 3^rd.Congratulations Mr. and Mrs. Shumway!) Chuck is the hidden powerhouse in Alaskan metal, with more chops and musicality than any drummer I've seen in this great State. Shumway moved to Alaska in 2005 and started Above and Beyond Roofing and Construction with his brothers Jason and Marcus. Lurking in the musical shadows for a few years, he finally found brothers Mike and Alan McCarroll and formed rock band Distraught! whom just recently dispersed. His experience and mastery show through, as he's one of the only drummers in Alaska that plays with a click-track in his ear. Watching Chuck in his element behind his kit is like beholding the 8^th Wonder of the World.

Adam Hulin, lead guitar player extraordinaire (of Siege Engine fame) contacted Barton at the perfect time, and came aboard just before Kellen. Hulin's unmatched tone, serpentine stage presence and legendary solos throw Machinecorpse into the mix of the heaviest metal bands in Alaska. Combined with Barton's mental projection of the band and tough, groundbreaking rhythm guitar chops, the pair of six-guns formulate a tight, symbiotic team.

I have also yet to mention the most unique part of Machinecorpse, which is also the genius of Barton. Machinecorpse is an industrial metal band, incorporating rigidly structured synthesizer movements and additions that lace together the flesh of their trailblazing sound. This is what makes the click-track in Shumway's ear necessary. He is truly the timekeeper of the band. Activated by the group's Public Relations Assistant, Amanda Hanes, during live performances, they even give a tip-of-the-hat to the trending 'dub-step' genre in "Slaghammer," the group's rich, tasty single. Reid's twisted vocal parts chill me to the bone. With other hard hitters like "Possession of Power," Machinecorpse blows other bands out of the water with pure power and skill.

There is also an electronic element to the way they write songs. Each member has a very busy schedule and the band's union is limited to once a week, so at the time of a song's genesis, it is sent via e-mail to each member, and carefully dissected, modified, upgraded, and assimilated into the mix of the heaviest, most electrifying set of metal in Southcentral Alaska. Practice is done on each member's own time. Rehearsal is what happens when the group gets together.

There is a truly human aspect of this band, however, as I have gotten to know the five of them over the past few weeks. This band is very serious, in your face, and dedicated to their craft, but they also realize the importance of enjoying what you're doing. This is a tight-knit group, musically, and socially. Their gatherings are typically an open forum style, where friends and lovers enjoy the experience with Machinecorpse. They get to watch the band grow, and grow stronger as brothers.

Their live act is what Machinecorpse is all about, and if you didn't catch them in the Final Round of the 7^th Annual Battle for Warped Tour, put on by Anger Management and Chilkoot Charlie's, you missed an amazing show. Moving on from the Semifinals, they were awarded 10 hours of recording time with Blind Ambition Studios. These gentlemen have what it takes to excite and entertain large audiences, and your opportunity to witness this event is right around the corner.

Machinecorpse opens for national metal act Suicide Silence on May 10^th, joined by fellow local metal band Necrotic Opus. Suicide Silence is brought to you by Family Tree Productions. Machinecorpse also plays at the Crazy Horse Saloon on May 19^th, with Robots Helping Clones and Wichita Shadows. Look for more dates soon, and keep up with them on their Anchorage Night Out profile, or on their Facebook page. Machinecorpse is slaying a stage near you. Go see the twisted madness for yourself. You'll never be the same. Rott.

Anchorage Night Out would like to thank Mark Farnsworth and Traci Abbott for their contributions of wonderful photography. Thank you!!

Jeremie plays bass guitar in Anchorage rock band Robots Helping Clones and is an Assistant Editor at Anchorage Night Out. You can reach him at bands@anchoragenightout.com.

Feel free to leave your comments below!

Free Counters

04/26/2012 - Springtime savings on hotel packages at Alyeska Resort

Thu, 26 Apr 2012 08:00:00 GMT

(Girdwood, Alaska) The transition from winter to summer marks a short but sweet spring season. During the month of May, visitors to Alyeska Resort have the best of both seasons. May skiing is available on the weekends and the calm before the summer tourist season means plenty of peace and quiet around the resort. The Hotel Alyeska offers a number of spring resort packages providing substantial savings and a myriad of resort amenities. Packages can be reserved online or by calling Resort Reservations at 800-880-3880 or 907-754-2111.

In May, although there are some seasonal closures and routine maintenance projects which may impact some areas of the guest experience, it is an amazing time to visit because guests can enjoy the resort all to themselves. The hotel's saltwater pool and hot tub, fitness center and The Spa at Alyeska are open. The Aurora Bar & Grill is open for lunch and dinner daily, and in Girdwood, local's favorite spots including Jack Sprat's Restaurant, Chair 5 and Double Musky Inn keep spring hours. For more information on hours of operation, please visit AlyeskaResort.com.

2012 Spring Packages

Spring Getaway Package - The Spring Getaway Package reflects up to 30% in savings and includes one-night stay in a deluxe room and breakfast. With weekend stays, guests also receive tickets for the scenic aerial tram. Packages are available starting from $159 per night based on double occupancy.

Veuve ClicquotTM Romance Package - Recognized by Travelocity as one of the most romantic hotels in the U.S. , The Hotel Alyeska tempts local couples with the affordable and luxurious Veuve Clicquot Romance Package. The package includes one-night deluxe accommodation, bottle of chilled Veuve Clicquot champagne, hand-crafted chocolates from the resort's resident chocolatier, and breakfast with a starting price of $199 per night. Guests can also add a 50-minute couples massage to the package for $230 per couple. This package is only available to guests 21 years of age or older.

Alyeska Family Package - The spring version of the Alyeska Family Package has double the family room. The package includes two connecting rooms and two in-room movies, one large two-topping pizza and sodas, and $50 value in resort credit. The resort credit can be applied for purchases at the resort including dining and shopping. The package is available starting from $279 per night per family.

Stress Relief Package - This package bundles a deluxe room at The Hotel Alyeska with $100 in spa credit valid for any treatment or service of your choice at The Spa at Alyeska. Choose from classic treatments such as relaxation or deep tissue massages, Alaska GlacialTM facials, or try a specialty bundles such as the Trilogy or Art of Lift Packages which combine a number of select services for a complete experience. The package offers over 30% off in savings and is available starting from $209 per night, based on double occupancy.

May Skiing Package - Alaska boasts an endless winter and the resort is proud to offer skiing through Memorial Day. May Skiing includes access to upper mountain terrain accessed by Chair 6, and will start on Saturday, May 5 and be open for skiing on Fridays, Saturdays and Sundays through May 28, 2012. Hours of operations are from 11:00 A.M. to 5:00 P.M. Guests can grab lunch and apres ski at Glacier Express located in the Upper Tram Terminal or Sitzmark Bar & Grill. The May Skiing Package includes one-night stay in a deluxe room, lift tickets and $25 Resort Credit. Another special offer in May, for every regularly priced adult or guardian lift ticket purchased, receive one child or student ticket for free. This offer is valid for May Skiing and in conjunction with any hotel package.

To learn more about spring packages, please visit www.alyeskaresort.com or call Alyeska Resort Reservations at 800-880-3880 or 907-754-2215. * The promotional package pricing is based on double occupancy, and subject to availability, taxes and fees. Packages require advanced reservations. Packages available from April 30 to May 31, 2012. Other restrictions may apply. About Alyeska Resort (www.alyeskaresort.com)

Alyeska Resort is Alaska's premier year-round destination featuring The Hotel Alyeska, an award-winning 304 room full-service property. Located just 40 miles from Anchorage and Ted Stevens Anchorage International Airport, Alyeska Resort is your base camp for summer and winter excursions. The resort is within close proximity of three national parks and the Kenai Peninsula, and is home to the northernmost temperate rainforest, part of the Chugach Mountains. Alyeska Resort stands out in ski season with 650' of average snowfall annually and the longest-continuous double black diamond ski run in North America. Learn more about the resort and plan your Alaskan adventure at www.alyeskaresort.com or 800.880.3880.

03/27/2012 - ANO BAND BLOG #12: ORION DONICHT

Tue, 27 Mar 2012 08:00:00 GMT

by Jeremie Fincher

If, by now, you haven't caught an Orion Donicht set, you are missing out on some of the most authentic Alaskan music you could possibly get your ears on. Self-dubbed "Post-punk Americana/Alaskana," Orion breaks the mold in this great State. Anchorage's music scene has been resuscitated from a lull in the last couple of years, and even though the snowball effect has taken hold and new bands and artists are popping up all over Southcentral Alaska, the scene is still limited by the scope and magnitude of the small population of Anchorage. Orion pushes the boundaries of that scope and magnitude, and produces a live act that is truly unique, and not just to our quaint (but growing) music scene.

Orion was born in Little Falls, Minnesota, he grew up on Hatcher Pass, and graduated from Houston High School, class of 1993. "Go Hawks!" he exclaimed. He was into theatrical arts as a child, but realized his true potential in music, which had always been a part of his life. "My dad was a musician, and actually my grandma was a musician, too, on his side. So we were always very musical. I remember every time we got together at grandma's house, we'd stand around the piano at the end of whatever, dinner, Christmas, Thanksgiving, why ever we were there, and the family would sing...My uncle Mark played a lot of music, too."

"In my teens, it dawned on me that I preferred writing and performing my own material. I love the poetry part of writing songs. There's nothing better than writing a song and playing it for your friends and having them freak out because they love it. Saying something profound that makes people think about the world differently is awesome." Orion's first instrument was his voice, but at age eight he received his first drum set. He was in a gigging band called The Credit Cards at nine years old, and opened for The Wallets in Minneapolis, Minnesota at First Avenue, a club owned by (the artist formerly known as) Prince, right after the release of Purple Rain. Prince actually attended that night.

Orion is a one-man-band of sorts, when he is playing solo. He essentially plays four instruments at once, a bass drum, a high-hat, an acoustic or dobro guitar (electrified and distorted, of course - true punk rock) and strong, clever, raspy vocals that express his cagy lyrics. "I try to come from an existentialist blues type slant...You gotta tell a story about something, so you tell about what you see and what you know. I love Fairview, I've been living here for years, lotsa characters."

His songs are all about Anchorage, and his home and neighborhood in the Fairview community. They are catchy, high-energy, in-your-face ditties that hit home with any citizen of 'Planet Anchorage.' "The one-man-band thing, I think, has grown organically out of what I wanted to do and who was available to play with me, at the time. I was a child of necessity. when you're playing by yourself, growing up in Willow on Hatcher Pass, everything is very guitar oriented. I struggle with whether or not it carries itself strongly enough. When I listen to myself on drums and guitar, I hear the same thing I hear when I listen to anyone else on drums and guitar... I wish they had a bass player!" Donicht laughs. This is, of course, not the case, and anyone who has seen this man do his thing knows it to be fact. By the way, Orion, I'd play bass with you any day of the week.

Orion works at the Spenard Roadhouse, and loves his job. "To make money I tend bar. I'm a very gregarious people-person, and it fits that very well." He's also a bicycle enthusiast (more on that, later), and an animal lover. So much so, in fact, that his charity of choice, when he ran for Mayor of Spenard last year, was the SPCA, and his main platform was TNR (Trap-Neuter-Return) for everyone. He did lose that election to the Great "Wicked Wanda," of the Blues Central and Chilkoot Charlies' fame, but states, "There's no one else I would have preferred to lose to. It was a buck a vote. I think, overall, we raised like $5000 bucks for charity. The campaign and the election for the Mayor of Spenard was a great introduction to politics. I totally enjoyed myself. Wicked Wanda was a fabulous opponent. Mr. Whitekeys had all that history of Spenard that he was spittin', man. It's cool to hear him talk about it." Wicked Wanda was a formidable opponent indeed, beating Donicht by approximately 60 votes.

Orion is an "O.G." in the Anchorage music scene. "The original shit was 1990 when it was The Pit underneath Sharky's on 5^th Avenue, and they had industrial music in the basement, they were throwing raves in the Quonset huts." Orion, as well as his wife, Metis, has been a member of two well known Anchorage bands. First was Stubby's Crack Company, a three piece with Jeff Jacobs, a long time mutual friend. They got to open for Against Me! with The Soviettes, and also This Bike Is A Pipe Bomb, from Jacksonville Florida. Then, most recently in The Spenard Satans Old Timey Clubhouse Band, opening for The Builders and the Butchers.

Three of the Spenard Satans.

Orion has a few trademarks. The one-man-band ability is certainly on the list. When asked about his trademarks, he responded, "Is it the funny bits between the songs? Is it the witty banter? Haha! I hope not, I try and get away from that, but, honestly, I can't stop talking once the microphone is turned on. It's my downfall." He is his own worst critic, though, because Orion is a riot onstage or off.

He's even been seen entertaining bystanders on the streets of Anchorage, and on Youtube, with his bicycle performance schtick. He admits, it's not entirely his idea. "There was this crazy kid down on Spenard, I don't even know his name, but I used to see him around a couple summers ago, we'd do all these festival shows down in Cuddy Park, and he'd bring his guitar. He was nuts."

Orion says, one afternoon, after an employee party that never happened, he ended up at Valley Of The Moon Park with this kid. They were both on bicycles, and decided to ride around together. "He was weaving in and out of traffic on Spenard, playing his guitar. Kid was crazy! He played the whole song!" Orion was thoroughly impressed, and sat on the idea for a few years. He thought it would make a great video. He ended up borrowing a camera clamp from his neighbor and videographer Larry Harris, and fashioning a camera mount on his bicycle's handlebars. It only took him a few tries to get it down, one fine Labor Day. The video you see above is take number two. Very impressive, sir!

This year, Orion is focusing his efforts toward a musical release. He's planning on a nine song recording, but he's not sure what medium to use. "Digital recording has made the whole thing obsolete. I burn my demos at home, print off a cheap cover at the UPS Store and throw them onstage. I say, 'free CDs, right next to the tip jar!' I usually average about $5 a CD. The only thing worth anything anymore is the live show. People ask me, can I burn your CD? I say burn a million copies, give it to everyone you know. Then when I play in town, come see my show." He's also got another idea up his sleeve for his next project about a punk rock version of an old Mexican folk tale.

I've had this musical fantasy for two years now. If I could gather all of the Alaskan musicians I admired, kidnap them and take them on a traveling showcase, like the old Wild West wagon shows...Orion would be an essential capture for that caravan. You can catch Orion Donicht at Tap Root this coming Thursday, March 29^th. "I've been digging the four hour shows. Bunch of covers, bunch of country music, bunch of blues music. I play the whole four hours with no set breaks." Orion's shows are something to behold. Catch him this Thursday!

Here's another little bonus treat for you from Orion, because I just couldn't get enough.

Anchorage Night Out would like to thank Joel Adams Photography, once again, for his work with Orion Donicht. Joel, you're the man.

Jeremie plays bass guitar in Anchorage rock band Robots Helping Clones and is an Assistant Editor at Anchorage Night Out. You can reach him at bands@anchoragenightout.com.

Feel free to leave your comments below!

HTML Hit Counter

03/20/2012 - Alyeska Resort has partnered with Alaska Rendezvous Heli-Guides

Tue, 20 Mar 2012 08:00:00 GMT

UPDATE: Top Finishers of the Alyeska Chugach Open will receive heli-skiing with Alaska Rendezvous Heli-Guides in valdez

March 16, 2011 (Girdwood, Alaska) – Due to unforeseen challenges, the latest stage of the World Heli Challenge (WHC) scheduled to launch in Alaska in mid-April has been placed on hold for 2012. Event Director Tony Harrington announced the postponement of the planned expansion of his iconic backcountry heli-accessed competition today but has not ruled out continuing to explore options for a future event in Alaska.

“It is disappointing to put our exciting plans for a World Heli Challenge in Valdez on hold for now, but it was important to everyone involved to get the event right. There were some elements including guarantees for athlete safety, access to the best-suited terrain and some key permissions we needed to be in place to proceed confidently. The World Heli Challenge team prides itself on delivering a competition like no other so we chose to defer the event rather than risk any compromise to the high standards our athletes, sponsors, media partners and supporters know us for.”

For now the next chapter for the World Heli Challenge will unfold in the Southern Alps above Wanaka in the south island of New Zealand from 1st – 17th August, 2012. Fifty athletes will gather for the unique competition format in an adrenaline-fueled, two days of heli-accessed competition for the leading men and women in big mountain and freestyle skiing and boarding globally.

In light of this change, Alyeska Resort has partnered with long-time Valdez heli-ski operator Alaska Rendezvous Heli-Guides. The top placing men and women ski and snowboard finishers in the 2012 Alyeska Chugach Open will receive daily package for six runs with Alaska Rendezvous Heli-Guides. The inaugural Alyeska Chugach Open event is scheduled for March 22 to 25, 2012. With one of the biggest winters in the resort’s history, the Chugach Open venues will feature some of Alyeska’s most exciting big mountain lines.

The Chugach Open includes three days of competition, open to Alpine, snowboard and Telemark athletes. The high-level competition showcases Alyeska’s challenging double black diamond terrain with select venues typically not open to the general public. The terrain offers such features as steep cliffs, chutes and 2,500 feet of vertical with the ability to test the mettle of the most experienced freeriders. Currently under consideration as possible venues are the Headwall to Fast Boy and the Wedge for the first two runs, and the Shadows area to Jim’s Rock for the final run. Venue selection is based on current weather and avalanche conditions and may be moved to the North Face if necessary.

“Our goal is to create a free spirit, welcoming all disciplines, at the Chugach Open,” says Di Hiibner, ski area general manager. “Our plan is to open up in-bounds terrain that is indicative of the big heli-lines in the Chugach Mountains. Alyeska has so many fantastic big mountain faces perfect for top athletes to test their sheer will, creativity and talent.”

Registration and additional information for the Chugach Open is available online at www.alyeskaresort.com/chugachopenregistration. Athletes must be 18 years of age and of advanced or better ability to compete in the open division. There will also be a juniors division for those between 13 and 17 years of age for all disciplines. There are three levels of registration: $110 includes entry to competition only, $230 includes entry plus three day lift tickets, and $310 includes entry plus five day lift tickets. All participants will be required to wear a helmet and beacon during the competition. The 2012 Chugach Open is sponsored in part by Salomon USA and GoBandit.

Alyeska Resort is well-established as a big mountain competition venue. The resort hosted the Subaru Freeskiing World Championships and Subaru U.S. Freeskiing Series Finals in April 2009. Produced by event promoter Mountain Sports International, the 2009 series included five other resort venues and featured Alyeska as the culminating finale. More recently, Alyeska partnered with Tough Guy Productions to host the 2009 World Telemark Freeskiing Championships and 2010 Alyeska World Comp, which opened the competition to all disciplines.

About Alyeska Resort (www.alyeskaresort.com)
Alyeska Resort is Alaska's premier year-round destination featuring The Hotel Alyeska, an award-winning 304 room full-service property. Located just 40 miles from Anchorage, Alyeska Resort is your base camp for summer and winter excursions. Alyeska Resort stands out during ski season with 650” of average snowfall annually and the longest-continuous double black diamond ski run in North America. Learn more about the resort at www.alyeskaresort.com or 800.880.3880.

02/14/2012 - ANO BAND BLOG #10: BLAZE & ERIC (Valentine's Day Double Feature Part 1)

Tue, 14 Feb 2012 08:00:00 GMT

by Jeremie Fincher

Blaze & Eric could not be a more perfect pick for a Valentine's Day Double Feature. They are easily Anchorage's hottest musical couple, and they met, played their first gig, and had their first date on Valentine's Day two years ago at Sullivan's Steakhouse. They are now married and are welcoming their second child into the world very soon. Congratulations, Blaze & Eric, and Happy Anniversary! There is magic in the air whilst listening to these lovers make music; it's easy to see and hear just how much fun they have.

Blaze & Eric are playing a show this Valentine's Day. Today! Can you guess where? That's right! For the third year in a row, and in honor of their second anniversary of knowing each other, Blaze & Eric will be performing at Sullivan's Steakhouse from 6:00-10:00 PM. Don't miss it! Their set is full of sexy covers and love songs. Oh, and couples: don't be afraid to request "your song," for Valentine's Day!

What a great shot, Joel!

Blaze & Eric are a multidimensional musical duo, usually employing more musicians for their live act. Joel Adams, Anchorage Night Out Event Photographer, and myself, caught them at SubZero Microlounge, adjacent to Humpy's Great Alaskan Alehouse, during a set break. This evening they were playing with drummer John Nyman. Blaze & Eric won "Best Jazz Group," placed 2^nd in "Overall Entertainment," and 3^rd in the category of "Cover Band," in the 2011 Press Picks.

Drummer John Nyman

Blaze explained, "A lot of people think of us as a jazz group because of the venues we're playing," and Eric finished, "but we're really not. More than half of the stuff we're playing isn't jazz." This may have something to do with the lack of the female-centric music groups in Anchorage, Alaska. Blaze puts on quite a show, dancing and performing the songs with delicious music behind her. Eric jokes, "We're a cover band. Maybe it's Jazz because (the audience) are drinking wine at 6pm!"

Admittedly, they play for a different demographic than a typical cover group, playing the earlier-evening slots at places like SubZero, Bernie's Bungalow Lounge on Wednesdays, I Luv Sushi, and even playing places like Humpy's, where they are allowed the freedom to conjure a full band scenario if they feel the need. These earlier gigs are unique slots, and really help a ton with the family dynamic.

Blaze Bell and Little Jazz

Eric dubs Blaze a 'Triple-Threat.' She's a singer, a dancer and an actor. She even considers herself a performer before being a singer. Eric says, "She's done most of her performing in her life on stage. She is a bad-ass. There's a big difference between someone who's been in choir and can sing the right notes, and someone who's used to being a performer. One of the main differences between her and other lead female vocalists is that she's really conveying the lyric and acting, and dancing."

Eric's recent international flight was delayed long enough for him to catch a 'Blaze sans Eric' show that Blaze had already hired replacement musicians for. He said it was a nice change, being able to watch Blaze's performance from the correct angle. "The fact that she's got a really great voice, the best in town...is good, but the other parts...all of her time on stage makes it very compelling to watch."

Mr. Eric Wesley Redding

Eric Redding is a music professor at Alaska Pacific University, and recently taught a Cuban music class. The class just got back from Cuba, and as anyone who has just gotten back from a tropical paradise looks, Eric was beaming. Eric is also in a band called Top Secret (they've played at Tap Root), and he plans on writing some musicals for Blaze to star in. Redding's funk band was also hired as the supporting band for Pamyua at it's most accomplished period.

Blaze is professional musician and actress, gigging and working as a (self-deemed) 'stay-at-home milf,' to their one-year-old son and bun-in-the-oven. She also plays guitar and piano, and when the two have time to practice (as they gig 15 nights in the month of February, alone) they plan on working out more songs, harmonies, and instrumentation. They are also focusing on building a family. Their son and daughter will have absolutely no choice but to be musical beings, as their names are Lyric and Jazz, respectively. Eric also insists it will be, and already is a part of their daily lives. "When they're eighteen, they can do whatever they want. They can drop it...but they won't. Music is such an integral thing."

How does one go about booking Blaze & Eric? www.blazeanderic.com of course!
Check their schedule and catch them at one of their MANY gigs around town!

This two-piece musical act, and soon-to-be four-piece family, is an amazing example of love this Valentine's Day. Have a date tonight? Don't forget to grab a drink at the bar and catch the smooth sounds of Blaze & Eric TONIGHT at Sullivan's Steakhouse from 6 to 10 PM.

Anchorage Night Out would like to thank Joel Adams Photography for accompanying us for the Valentine's Day Double Feature. Stay tuned, in just a few hours, we will drop the second edition of the Double Feature!

Jeremie plays bass guitar in Anchorage rock band Robots Helping Clones and is an Assistant Editor at Anchorage Night Out. You can reach him at bands@anchoragenightout.com.

Feel free to leave your comments below!

Free Counter

02/14/2012 - ANO BAND BLOG #11: DECEPTICIDE (Valentine's Day Double Feature Part Two)

Tue, 14 Feb 2012 08:00:00 GMT

by Jeremie Fincher

Happy Valentine's Day from Decepticide!

You're in for a double dose, today. Metal is on the menu for Part Two of Anchorage Night Out's Valentine's Day Double Feature. DECEPTICIDE is Anchorage's tightest metal band with the most loyal following. The core of the band, having survived a move to Philadelphia and back, are a family unit - like brothers. This dark, brooding metal comes from a solid but kindhearted group of friends, and you'd never know it to look at them. These guys ooze metal.

Adam Hafer and Enzo Montana met while attending Dimond High School, and met Brian Harris through his brother, who also attended Dimond. They played in a band called Murder is Justice for over two years. They had problems with their vocalist, so they started branching out and looking for new guys. Enter Ryan Hull: "I met Enzo at a show at the Paddleboat Cafe. We hung out for a whole weekend, and ended up clicking. I pretty much just kept showing up to practice till they let me be their vocalist."

Brian interjects, "It was pretty much love at first sight."

Enzo explained, "This was like, late 2007, we were thinking about breaking up the band, but not really, maybe just getting a new vocalist. That's when I met Ryan. We started doing auditions and Ryan ended up being the best guy for the band. So it was really 2008 when the band started as Decepticide, all new songs."

Ryan started his musical career as a guitar player, but says he was 'ninja-ed' into being a frontman for a previous band, but it worked out really well. "Apparently I'm supposed to scream at people." The first two albums from Slipknot (Corey Taylor) and Lamb Of God are Hull's primary influences.

Everyone in Decepticide, in it's current state, is born and raised Alaskan, except Enzo Montana, who is from Colombia. He's lived in Alaska for 11 years, now. He's played guitar since his Sophomore year in high school, inspired by Dimebag Darrell of Pantera, Sepultura and Slayer. Brian Harris also lists Pantera and Slayer amongst his influences. Harris met Enzo his Freshman year in high school, the year after he started playing drums. Brian is a carpenter for Taylored Restoration, and also a hunter and fisherman. He lists Gene Hoglan from Death, Dark Angel, and Testament as his favorite drummer, and adds Metallica and The Black Dahlia Murder to his lists.

The original bass player for Murder Is Justice was replaced by Clay Brackley, an ex-bandmate of Hull's. He was the primary bass guitar player until he departed for Philadelphia five months before the rest of the band. "We knew Eric Pederson from Glass Halo, so we asked him to fill in before we left, and he was the guy we went to when we came back." Eric has been the band's bassist in Alaska since Brackley left late in 2009. Pederson has played bass since 1995, he's been in Glass Halo since 2007. Search Engine and Liquid Courage are his main influences. Eric is also the only member of the band that is not a father.

Adam Hafer stayed in Alaska, declining the Pennsylvania move, as him and his wife were expecting a baby boy. Scott Meyer, a Philadelphian played rhythm guitar. Adam and his wife have another baby on the way, he's employed at Anchorage International Airport, and his favorite guitarist is Jeff Loomis from Nevermore.

I asked the boys what the highlights of their musical lives were for 2011. Out spewed a list of incredible shows that were as important to Decepticide as they were to anyone who attended them. "Summer Meltdown in the Dena'ina Center; I could speak for everyone and say that was a huge step for us. Big stage, great turnout. It was fantastic," says Ryan Hull. Enzo listed the Metal A&R Showcase and the Pantera Tribute Show, both put on by 94.7 KZND at Chilkoot Charlie's, as his favorite shows. Hull added, "November was big for us. We got KZND's Artist of the Month and 'Best Metal Band,' in the 2011 Press Picks in the same month." Decepticide would also like to mention the underage show Santa Mosh at the Downstairs as being a huge show for them in 2011.

Decepticide's plans and goals for 2012 are pretty straight forward. They plan on releasing a new EP of excellent quality, along with some new music videos. Decepticide has been selected for the Surreal Studios compilation project 'Cold and Loud,' featured in a previous ANO BAND BLOG. They will contribute one song to the mix. More can be read about that here. The biggest item on Decepticide's plate for the year of 2012 is Family Tree Presents: Lamb of God. The boys were selected to open for the world famous metal band last year. "It's like Christmas," one of the boys said. "Back in 2005 when I met Brian, he introduced me to Lamb of God. Who knew 7 years later we are gonna open for them?!" exclaimed Montana.

Ryan: "Me and Enzo met while listening to Lamb of God."

Brian: "I'd like you to know that I used to listen to Lamb of God in my shed....where I live."

Ryan: "True story. Our next stop is playing on the Moon, and after the Moon, it's Super Bowl Halftime."

Enzo wants to play more shows outside of Anchorage in 2012, and have already started doing so. They played the Metal Mayhem Show at the Sitzmark Bar & Grill just recently, hit 'Hooligans' in Soldotna a few weeks back, and plan on touring the Fairbanks scene this summer.

Decepticide has a few shows coming up that you should catch. They are playing another Fatguy's Freakshow Tribute, this time the tribute is to the Godfathers of Metal: Black Sabbath! The show is this Friday, February 17^that Chilkoot Charlie's. You'll see a few of their original songs, but they'll also be playing three Sabbath tunes! Come to the show to find out which songs they play! Bolt Action Beaver and Unseen Empire will also be playing originals, plus paying tribute to the almighty Sabbath, but there will be two tribute bands comprised of local talent, playing nothing but Sabbath! Get there early! Music starts at 9 PM.

Chilkoot Charlie's is also the spot for the Lamb of God Pre-party on March 4^th, , and get your tickets now, before they run out, for the great Lamb of God on March 9^th(Get your tickets HERE). Enzo's Birthday Party show on March 16^th at the Carousel Lounge will be a heyday no metal fan will want to miss.

Anchorage Night Out would like to that Joel Adams Photography for his work with DECEPTICIDE! These shots look great!

Jeremie plays bass guitar in Anchorage rock band Robots Helping Clones and is an Assistant Editor at Anchorage Night Out. You can reach him at bands@anchoragenightout.com.

Feel free to leave your comments below!

Free Hit Counter

01/31/2012 - Phelps and Loathing in Girdwood

Tue, 31 Jan 2012 08:00:00 GMT

By: Darrin Christopher Huycke

[Photo: Alyeska Resort]

The weekend was planned out, we knew what we were to expect, which meant we were to expect nothing. My compadre for the weekend was Devin Young, an Anchorage artist who's work has frequently been on the walls at the Anchor Pub lately. He was one of the artists for January's First Friday at the Anchor Pub, and we hung out there before heading down to Girdwood the night of Jan. 6th, 2012. The Monolith Agency was putting on a showcase at the Sitzmark Bar for this first weekend of the new year, which was the objective for our journey to Girdwood. This weekend was also Devin's last in Alaska for a few months, he was leaving to venture off to Southeast Asia during the week to follow. On our drive down, he tried to convince me of the "Frog of Alyeska". He described that I would be seeing a "frog like outline" from the spotlights that go up and down the mountain once we got to a certain point on the Seward Highway that unveils the ski resort to southbound drivers. Unfortunately all those lights had been turned off before we arrived, and no frog was witnessed, which lead me to question the knowledge of Mr. Young. His fail-safe proof, was that there would undoubtedly be pictures and people's theories of the "Frog of Alyeska" online (which was never found), and we moved on.

We checked into the Alyeska Resort and got ready for the night. Enter "the Phelps". Now "the Phelps" has a history, but to keep it simple it's the mustache Michael Phelps sported during all the publicity he got in early 2009. This also occurred during another weekend that Devin and I had been loitering in Girdwood before.As you can see from the picture above "the Phelps" has a character of it's own: strong, confident, yet reckless, defines it's feng shui.

We then headed to the Sitzmark, in just enough time to catch the first band of the show. The line up for the night was: Turquoise Boy, Ghost Hands, and the Sweeteners. The Sitzmark is on my list of top places to see a concert in Alaska. It's a great venue for shows, the stage and dance floor are large, and the sound quality is always superb. There are booths and tables on the outskirts of the dance floor, and you can order food until 10pm. A must on their menu is the Sitz Burger with havarti cheese, avocado, and bacon. Beyond the food and sound, there's something else that's also magical about the Sitzmark: that it's located at the base of Mt. Alyeska. Behind the stage is an entire wall of windows, teasing attendants with it's fresh snow and trails of the mountain.

[Photo: Joel Adams Photography]

Once Turquoise Boy closed out their set, the men from Ghost Hands prepped themselves to take the stage next. At one point during Ghost Hands' set, I stared provocatively at lead signer, James Glaves. Glaves & the boys of Ghost Hands always have a catchy set and the chemistry within their vocals are flawless, a perfection matched only by the soft, fresh skin of a newborn (check out Jeremie Fincher's ANO BAND BLOG on Ghost Hands). Mr. Glaves and I cheered our whiskey in between songs, and I pursued the allure of the fire-pit on the back deck of the Sitzmark.

[Photo: Joel Adams Photography]

This place should be one of the wonders of the world. A propane fire-pit at the base of the epic mountain, right outside the door of the bar where you're able to bring your drink out and just chill out. The camaraderie at the fire-pit is as if every body were preexisting neighbors, which could actually be true, but I would never know. After a little while of basking in the fire-pit community, I heard the music of the Sweeteners blaring from inside the Sitzmark. By this point of the night, rock was in full swing. The energy that emits from the Sweeteners during their set will motivate you to dance, making our forefathers of blues and rock proud. Mr. Young and mine's night was coming to an end and the haze of the evening was sinking in. Thankfully the drummer from Ghost Hands, Greg Geddes, offered us a ride back to our hotel room, which we gladly accepted.

Awaking to a dark and cold room, I felt a painful success of my first night of this weekend right a way. I flung open the curtains to reveal the mountain and it's condition, but also to wake up Devin and get rolling on the day. I was in awe when Mother Nature presented us with one of the most phenomenal views ever. "Now that's one sexy lady to wake up to," I said to Devin about the scenery. Hot tub, pool, sauna, and then we were on our way to meet up with a local friend for brunch at the Bake Shop.

The Bake Shop is a quiet nook located just below the Sitzmark that has a menu full of items that taste as if Grandma Girdwood herself crafted the recipes. We met with a local friend, Rachael Neumann, who was gearing up to work that night at Seven Glaciers. Devin and I recollected the events of the night before during our feast, which prompted Rachael to wish she didn't have to work that night so she could join in for round two. It was still snowing pretty heavy, in which teased her even more cause we were planning to go riding on the mountain afterwards. We bid adieu to our employed friend and went to gear up for some afternoon runs on Alyeska

The conditions were perfect and we lasted into the night session, catching Chair 1 midway spending our time at the prime spots still open. After declaring the last run, we met up with another local, Gabe Gibbs, to grab dinner at local restaurant Chair 5. Another feast was in store with nachos and Elk burgers. I love me a good burger, and I've never found another in the world quite like Chair 5's Elk, have yourself one and you'll agree. Though Mr. Gibbs was tossing me remarks about my "Phelps" during dinner, I could vibe his underlying jealousy, and it prepared me for another night of shows at the Sitz.

We showed up right as the Young Fangs took the stage, this was my second time seeing them perform. Young Fangs are from Fairbanks and are fresh on the music scene, but will become a household name quickly. They have timing and melody that captures your attention, and an energetic set to keep you satisfied, a perfect combination to open for laVoy. laVoy followed, and the dance floor filled even more as their tunes progressed. Devin and I were low key though, dinner was heavy and so was the feeling from shredding the mountain earlier.

We met up with some good friends, and then that moment came again, the one from the night before... Standing around the fire-pit, I heard the rocking tunes of the Sweeteners come through the Sitzmark walls and I was drawn back inside which ignited the night's aura. I've been to plenty of shows, in which I could compare "this and that," but not many come close to the charisma of the Sweeteners. These guys kick ass. We all caught a ride back to our hotel rooms and gathered in my room to cap off the night and our weekend. Eric Neet, Mark Nelson, and Chad Reynvaan traveled with us into a realm of discussing: music, concerts, festivals, and venues (on both the local and national level), which were the sprinkles to an already awesome weekend.

[Photo: Joel Adams Photography]

A daze was over me when awaking Sunday morning, and I could not quite define how the night turned into morning so fast. Hot tub, pool, sauna, and then we got onto packing for our departure of the town of Girdwood, and the return back to reality. It confused Devin and I that we had somehow ended up with an extra pair of shoes, "Really... shoes?" I asked. I stuffed them in my bag figuring that someone from the night before would be contacting me soon. Like I had mentioned prior, it had snowed a lot during this weekend, about 18 inches. Our drive back to Anchorage was rough, in which we planned a stop in Indian to help out a friend of ours that Devin would be meeting up with during his trip in Southeast Asia. The build up of snow made it tough to find exactly which road to turn off on, but we finally located it. There had not been any plow trucks out this way yet, which resulted in me getting stuck try to get back ON the highway. This was not the ideal way to start a day of much needed recovery, but we gathered what was left of our intelligence and strength, and powered through to get back on into town.

Once I finally unloaded my bags and equipment into my apartment, I collapsed on my couch just in time to receive a phone call. "Chad Reynvaan", the screen of my phone read. "Hey mannn, would you happen to have my shoes?" he asked. Informing him that I did, but then I notified him that I had already made it back into town. He was still in Girdwood though, and I still wonder if that was his only pair he had brought, leaving him with socks till he came back to Anchorage. The weekend of loitering was a success, and it's end brought the emotional goodbye to "the Phelps". Oh, and Chad, I still have your shoes.

Enjoy local, enjoy music, enjoy life.

Darrin Christopher Huycke

Free Counters

01/26/2012 - ANO BAND BLOG #9: SURREAL STUDIOS [Cold & Loud - An Alaskan Anthology]

Thu, 26 Jan 2012 08:00:00 GMT

by Jeremie Fincher

A well established recording studio in Anchorage, Alaska is opening it's doors to local Rock, Metal, and Punk bands...for free. Kurt Riemann, born and raised Alaskan, husband, and father of two, built Surreal Studios on Potter Drive in 1984 with renowned studio architect Jeff Cooper. Kurt saw a large portion of the small music community leaving the state to record their music, specifically to Seattle, and wanted to create a space for Alaskans to create legitimate recordings.

Surreal Studios. Photo by John Nyman.

Kurt has engineered and produced all genres of music, soundtracks for movies, he's composed albums of electronic music, Christmas collaboration albums, hundreds of miscellaneous projects (some with his wife, whom Kurt works with on a regular basis,) including a project with Imogen Heap, and even had a record deal in Germany that got him distributed world-wide. The man has some serious experience.

Unfortunately, this trend of disappearing and reappearing Alaskan musicians, all returning with 'professionally' recorded albums, continues, and baffles local studio engineers like Riemann. These days, there is a much bigger musical community in Anchorage, Alaska, coincidentally in the rock genre, and even a few more local studios. In my opinion, their frustration is completely justified. I am writing this as a professional endorsement -- there is absolutely no reason to outsource Alaskan music, especially with this new development. In my personal opinion, however, Surreal Studios stands above the rest, and Kurt has the most skilled ear in town. He is giving local bands a chance to find out what they can do in-state.

This is an epic opportunity for local Rock, Metal, and Punk bands to come into a super-equipped studio and work with a producer/engineer that has an overwhelming resume of over 450 studio albums. Riemann is opening the doors of Surreal Studios for free, but it's not a free for all. In his own words, in a recent Anchorage (and surrounding area) Facebook group 'Music Punks':

Okay, Punks. I'm pulling the trigger.

Here's your chance to do something much more than a demo. It's an opportunity to work with rock producer Kurt Riemann in Surreal Studios, with all of Surreal's great rooms, gear and production chops. For free. No holds barred. We're going to be doing an iTunes / online download only release compilation of Alaskan Rock Bands and we want it to be incredible. That's where YOU come in.

Email me a link to a demo of a song you'd like to record. Give me a link to where I can find a bio about you and your band, like on your www.anchoragenightout.com page. Any other material you have done would be great to hear. Tell me how long you've been together and all that. Why should you be on the compilation? Give me a good picture of who you are and where you're going with your music. Don't worry if you don't have a great demo of yourself, I'll be focusing on the songs and how to make it all come together.

This isn't an Idol contest with votes; I'm picking the artists and songs to produce myself. Once again, this is a Rock / Metal / Punk album, other genres will have their turns later. The important thing is how the collection will work as a whole, not as a bunch of single songs. I'll be listening to songs with an ear as to how it will fit together into a single concept. That's how things will be selected or not...

Riemann has set the deadline for demo submissions as midnight on February 5th, but implores that bands "get moving on this in the next week or two." He has also mentioned the possibility of a physical CD release of this compilation along with a coinciding Kickstarter funding campaign. The rest of the expenses for this project will be paid for out of Riemann's pocket, as Producer. This is a for-profit project, and "the trick will be having the bands NOT give the music away when we're done," says Kurt. Financial specifics, among others, will be discussed between Riemann and the bands participating in the project.

In my first few questions for Kurt, I asked him why he was putting this project together. "Well, there's about eight reasons to do it. One of them is, I can, and why not? I like doing this kind of stuff anyway, and you get a little bit of money back out at the other end of it." It really isn't about the money, though, at least for Riemann. "If you look at any other industry in the world, you would expect others [in the music industry] to be doing something along these lines, and they're not." Not on the local front, and to this magnitude, anyway. Kurt also feels that the scope of Surreal Studios in the Anchorage community is shrouded. "There are a lot of misconceptions about Surreal Studios. People who have never recorded here don't realize what this place is really about." Kurt wants musicians to experience Surreal Studios first hand, for what it's worth.

When bands or artists choose Surreal Studios, the end result is "a much bigger baseball bat that's going to send you down the field afterward. A lot of these guys are recording themselves, and I need to be generous about what I hear, but I hear a lot of work that is going to keep people outside of everything. In the industry, it's kind of a new term, it's 'outsider music.' It's never, ever, going to be something audiences totally connect to...so what I want to do is get in a bunch of these bands that have been doing that kind of stuff, and put some big charges underneath them and set them off."

"There is a reverence for all the bands that have made it out of Alaska. [For them] it's all about the quality of what it is that they do. NONE of them did what people are doing...Demos and giving them away, and not being serious about it. People are dismissing their own music as 'demos.' A demo of what? Something you're NOT going to do?" As it says on the Surreal Studios profile at AnchorageNightOut.com, "There's nothing worse than being in a studio that can only do an impression of what you want. Don't spend a bundle trying to get it right. Get it right."

Kurt got his start as a rock engineer, and about two-thirds of his work output has been in this genre. As a personal testament, I recorded bass tracks with Riemann in Surreal Studios in October of 2010 with my band Robots Helping Clones. Kurt, and the music he produced for us, went well above and beyond our expectations, and the experience was one-of-a-kind, but don't take it from me. Go in for a visit and check out Surreal Studios, and you will feel at home. Kurt now uses our self-titled track as an example on Surreal Studio's website.

Robots Helping Clones by Robots Helping Clones by Surreal Studios

As stated in the ad, don't be dismayed if your band doesn't have a decent recording. Kurt doesn't care if you stick your iPhone in the middle of the jam room and hit record, as long as he can hear the song, and all it's parts. He isn't looking for quality, after all, that's where he comes in. He's looking for a group of songs that overall, displays a theme, or set of emotions. "The title of this first compilation will emerge from what it becomes musically," Kurt may even add his own composition to the album in the form of segues, interludes, or transitions from one song to another. Depending on the songs selected, there might be a real effort to make this thing into a sort of concept album.

Kurt has around ten submissions so far, but would like more. "I'd like to not have to choose." Ideally, he would like his selections to be overwhelmingly obvious. To submit your band's demo, e-mail the track, or a link to the track, and the other information requested in Kurt's ad (above) to surrealstudiosak@gmail.com. Riemann asks that you let your music speak for itself, and not try to 'sell him' on your track, as this will not help you in any way. He will be in contact. Include the required information in a professional and timely manner, and things will sort themselves out. Be patient, as this is an extra-curricular project to his busy work schedule.

Kurt Riemann (left) and Stu Schulman circa 1988.

Kurt will start bringing in bands to record as soon as he begins selecting demos, and will continue for the next few months until all the bands are done tracking. The clamor of the project will surely die down while Riemann takes his time in the production stage of this album, including the time it takes to mix and master. Look for this album for sale (possibly) in late 2012.

As a musician and artist, myself, and advocate of 'local-motion,' projects like these excite me. To NOT submit a song, as a capable, working rock band in Alaska, would be a gigantic opportunity missed, if only for the experience alone. I implore you to consider submitting your material, and if you don't have a local rock, metal, or punk band, joining one, and cutting a demo quick. This project is something you'll want to be a part of.

Red Brick Cell by Will Johnson by Surreal Studios

Surreal Studios is located at 355 W. Potter Drive, Anchorage, Alaska.

Jeremie plays bass guitar in Anchorage rock band Robots Helping Clones and is an Assistant Editor at Anchorage Night Out. You can reach him at bands@anchoragenightout.com.

Feel free to leave your comments below!

HTML Hit Counter

01/22/2012 - ANO BAND BLOG #8: GHOST HANDS

Sun, 22 Jan 2012 08:00:00 GMT

by Jeremie Fincher

[From left to right: Andy Tholberg, James Glaves, Greg Geddes, H.Troy Anniskett, *Sonny Ogle (*not pictured); Photo by Brian Adams]

Ghost Hands are the embodiment of organic Alaskan rock music. These warm-hearted, mostly-remote Alaskan gentleman are a prime example of the way music can work in Alaska. Like a few other ANO Band Blog subjects, as well as many bands in Alaska, Ghost Hands are comprised of members from other well-known Alaskan bands and projects; (some defunct, some still in existence.)

It was a brisk -5 degree ride to Mr. Geddes' place, where Ghost Hands held a scheduled practice. I stepped into the smoky blue kitchen where Ghost Hands and friends(including Sheila the jarred fetal pig) were gathered. The radio was on, tuned to our beloved 94.7 The End, as Ghost Hands were interviewed for the Homegrown show, and it was about to air. I couldn't tell that, at first. In fact, all I could hear was a hideous electric buzzing squeal. Something went wrong with the audio file that contained the interview, and is fortunately scheduled to air again (tonight), Sunday January 22^nd at 7PM.

This mishap caused quite a laugh amongst the group and served as a sort of centerpiece, or recurring theme in the humor of the evening, other than Mr. Glaves getting stuck in the bathroom thrice in the time I was there.. One member joked that it was probably a good thing, because in the recorded interview, they came off as "egotistical maniacs." I could almost tell for sure that he was joking, and when I was done with the interview, I was sure of it, as they are one of the coolest groups of musicians in Anchorage.

Ghost Hands is H. Troy Annisket (guitar, vocals), James Glaves (lead guitar/vocals), Andy Tholberg (bass guitar), Greg Geddes (drums), and Sonny Ogle (guitar, vocals). James, Andy, and Sonny hail from Kasilof, Alaska, where Ghost Hands was born.

James, Andy, and Sonny were all original members of The Wagner Logic, and when that project fizzled out, James and Sonny continued writing songs together. When Troy's Anchorage band Shy Bones went on hiatus in 2011, Troy headed to Kasilof to record some of his solo music with buddy James Glaves in his home studio. The ball started rolling, and they decided to join forces.

Andy also continued writing music after The Wagner Logic, and developed his own recording project, Dabarko, in which Ogle participated, too. Andy is originally a guitar player, and sings quite well, too. He names his musical influences as Ween, Deftones, and The Beatles. When I first met Andy he told me he was guitar player, first and foremost, and I joked with him. "I guess that makes four guitar players in Ghost Hands, doesn't it?" Andy was a good sport, because Tholberg is no slouch on the bass guitar.

Check out this Dabarko tune:

The Glaves-Ogle-Anniskett trio decided they wanted a powerhouse wall-of-sound with three guitars, and asked Andy to play bass. He says he used to be mortified playing bass live with The Wagner Logic, "When the bass goofs up, everyone hears it. I got used to playing bass live pretty quickly, and I've been recording bass for years. I'd say I can jam on bass better than I can on guitar." He aptly completes the bottom end of the wall-of-sound that is Ghost Hands.

Glaves is quite a versatile musician, capable and chameleonic on many instruments, including his voice. He often fills in with local bands who are missing members, including Turquoise Boy, The Smile Ease, and most recently, the Meg Mackey Band. James is also involved heavily in the technical side of music, specifically recording and sound engineering. This is how the group scored Greg Geddes. Glaves was co-producing and engineering an album in Tritone Studios, owned by Paul Jacks of the Smile Ease, and met Greg. James also does Sound Design for Apex Live Sound Reinforcement and other venues around town.

H. Troy Anniskett is the frontman for local Anchorage pop rock band Shy Bones. Troy's grunge-pop songwriting style is heavily influenced by late 80s and early 90s bands like Nirvana and The Pixies. He is the composer/songwriter in Shy Bones, and also contributes largely to Ghost Hands' set. Troy's unique and deep voice is a surprise the first time you see him live. Both bands benefit greatly from his natural, homegrown talent.

Greg Geddes is originally from California. He moved up in 1998, graduated from Chugiak High School, attends classes at UAA, and does Environmental Consultation. Greg has been playing drums for 12 years, and got his start playing with Daniel Rink in The Rock Eating Robots, a two-piece Anchorage band. His biggest drumming influences are Tony Williams and Jose Pasillas from Incubus. Rage Against The Machine was also named as an early influence. James Glaves would like it to go on record that Geddes is an avid Yo-Yo enthusiast. Greg adds he was in the Yo-Yo Club in high school.

[Geddes shows off his Yo-Yo skills with Ghost Hands. Photo by Brian Adams]

Sonny Ogle was not present during my interview with Ghost Hands. "Like every one of us, he wanted to 'gee-tee-eff' out of Alaska for the Winter, and none of us can blame him for that." Glaves says (with the slightest hint of sarcasm that makes you wonder if he's kidding, until the flash in his eyes when Tholberg cracks up laughing), "He went down to Portland to do some skateboarding or something..." Andy cackles. "Sonny has skateboarded for years...he flows like a shoot of bamboo in the Northern Asian wind." Ghost Hands erupts in laughter. "Sonny is the perfect example of an adult who refuses to give up his childhood dreams. He does what he wants, and it's awesome." Needless to say, Sonny is still in Ghost Hands, and his boys miss him.

[Ogle on his skateboard. Photo by Adam Segura]

Sonny loves filmmaking and photography. "I wanted to be in a more photographic urban environment, and skateboarding, for me, is good for the soul." I identify a lot with his impulse of leaving this gorgeous state for the Winter season. "I'm being a snowbird." Ogle explains. I can feel a lot of Alaska's raw, cold, but very real influence in the music of Ghost Hands.

The Ghost Hands catalogue, at least the earlier block, has been written in a unique way. It started with Troy's solo work they recorded in Kasilof, and chunks of some Glaves/Ogle work. Andy also writes, and their unique process is collaborative and isolationist at the same time, and it fits the personality of the band and the nature of how they started and where they come from. The music is very real and heartfelt, but their style is etheric and almost intangible...ghostly, if you will.

Glaves will write an entire song, including bass tracks and drums, when holed up in Kasilof, because he can't wait three or four weeks to jam with the guys. The other writers in the group do the same thing. None get offended if there's a part already written for them, and this isn't to say the parts have stayed that way. When the boys write in this style, they write the parts with the skills and intentions of their band members in mind, and also as a challenge. While naturally each have their own unique ear and playing style, they listen to each other meticulously, and their collaboration is a flavor of it's own.

One of Ghost Hands' first shows in Anchorage was an opportunity handed to them by fellow band Turquoise Boy, who were asked to open for Minus The Bear but could not play due to schedule obligations. The members of Turquoise Boy immediately recommended their friends in Ghost Hands, and the show was a success. I happened to catch this show, and I was impressed. "That show was the first time I realized how good this band is. We didn't have a whole lot of rehearsal time," Glaves says. The guys say they're a "weekend practice," type of band, but it does not show. They have been extremely tight-knit, musically, since the first time I caught them, live.

[Ghost Hands; Photo by Brian Adams]

Ghost Hands will be releasing an EP in commemoration with being chosen as the January Homegrown Artist of the Month for 94.7 KZND. The Release Party, as always, will be held at The World Famous Chilkoot Charlie's on February 3^rd. The warm-up acts are The Young Fangs, from Fairbanks, and Gamma Radio. There will be a $3 cover, and the music starts at 8PM. They are pleased with their DIY recording roots, and plan on releasing a full length album in the Fall of 2012.

Ghost Hands by bands@ano

The music of Ghost Hands speaks for itself. Be sure to catch the EP Release Party on February 3^rd, look for that full length release in the Fall, and keep your eyes (and ears) out for this stellar group of guys and their delicious palette of musical sounds.

Anchorage Night Out would like to thank Brian Adams and Joel Adams Photography for their work with Ghost Hands!

Jeremie plays bass guitar in Anchorage rock band Robots Helping Clones and is an Assistant Editor at Anchorage Night Out. You can reach him at bands@anchoragenightout.com.

Feel free to leave your comments below!

HTML Hit Counter

01/04/2012 - Champagne with Pepper

Wed, 04 Jan 2012 08:00:00 GMT

Champagne with Pepper

by: Darrin Christopher Huycke

Pepper (http://www.facebook.com/pepperlive), on New Year's Eve, at the Bear Tooth Theater (www.beartooththeatre.net). When I heard that announcement, my mind was flooded with memories of the punk rock days of high school. There is no negativity or shame to my reminiscing, I will always hold deep to my roots. MXPX, Blink-182, Pennywise, the Offspring (Americana and prior), and most of the pop/rock/punk bands from the years it took over the airwaves. If any defense is necessary I only need to reference the Disco era as to music fads that completely rule the industry, and then fade away as fast as a Winter Solstice sunset.

After hearing news of the show, I knew that it was going to be my way to celebrate the New Year. I then started diving into the world of Pepper. To my younger self, they were just another band on the wagon of Volcom Entertainment (yes, the same Volcom that took over the youth of the late 90s & early 2000s), so I had some catching up to do. Pepper has kept things busy since then, releasing a couple more albums, touring, and starting their own independent record label: Law Records. I was glad to discover they had found success, in a niche of music that disappeared so fast. Even though I once trusted a band with my New Year's Eve plans and had to get my tickets reimbursed, I was confident this wasn't going to be the same regret.

After getting through the front door of the Bear Tooth Theater, I was greeted by friends and some of the Bear Tooth staff that I have known through the years of attending their shows. The theater is my preference to see any entertainment that comes to Alaska. With every angle that goes into a good show, they consistently deliver. I had never been to a New Year's Eve concert there though, which brought more excitement to this night. I grabbed a brew and went into the theater to see if the opening band H3 had started. H3 is a local band that I really don't know much about. What I do know is they perform reggae covers very well. Little can be found online for them, other than sample tracks on their Myspace (ahhhhhhh, the collapsed star of the internet!). They rocked the night strong, though, and got the crowd into a groove, who were awaiting the seasoning of the night: Pepper.

"I am SO excited," a friend kept telling me over and over as we were getting ready for Pepper to take the stage. "I know... but you could tell me just one more time," I replied each time she grabbed me to say that. I was stoked too, and listening non-stop to Pepper's discography the days prior to the show added to my anticipation. When I was listening to all their recordings, I wasn't quite sure what to expect from their performance. The vibe of a laid back "day on the beach with beers and a campfire," radiates throughout their albums. But with tracks like "Give It Up," there is energy to their music as well. I thoroughly enjoy their music, but couldn't quite gather what I'd be witnessing at the show.

That feeling didn't last long once they took the stage at the Bear Tooth Theater. Right away, I felt the comfort that I was correct about choosing to celebrate ringing in the year 2012 with Pepper. After they played their second song of the night, "No Control", I took a look behind me at the crowd of 1100 and I could tell they were on the same level me. Pepper had brought the party, and we were all ready to celebrate. Pepper's charisma and humor got everybody dancing and not minding how much beer we spilled on each other. It was an experience that matched that of a buddy band of Pepper's, Slightly Stoopid, and what I feel when going to a show of local boys T.I.A (http://www.anchoragenightout.com/bands/212609/tia).

When midnight was looming, breaching into the new year, Pepper stopped their music to do the countdown with the audience. They brought their family and friends onto stage with them, and the champagne bottles to pop at midnight. Once the new year began, Pepper and the crowd burst into cheers and love. While still being in the front row, I had one of the most memorable introductions to a new year; taking a champagne shower with Pepper (as you can see from the photos). Pepper banged out a few more songs, an encore, and left the stage as 1100 people showed them their appreciation with hoots and hollers.

2011 was far from a dull or lame year here in Alaska, with an impressive list of shows at not only the local level, but national as well. 2012, you're looking like a foxy lady already. I can only hope the Mayan Calendar hoax has been poorly interrupted, or is wrong. If the rest of this year goes the way the beginning of it has, we're in for a great one.

Enjoy local, enjoy music, enjoy life.

Darrin Christopher Huycke

01/04/2012 - ANO BAND BLOG #7: CURTIS VODKA (Producer/DJ)

Wed, 04 Jan 2012 08:00:00 GMT

by Jeremie Fincher

Disclaimer: Curtis Vodka's material may contain graphic adult language. Intended for ages 18 and older.

Curtis Vodka is an entity, a spirit, and an energy, usually obscured by the dancing mob that surrounds him, or by the grooves, beats, and sounds he compiles. There are a few facets to Curtis Vodka, and an ever-changing face. He is a producer, first and foremost, and is moderately and quietly successful at his job. He also DJs as a means of entertainment, inspiration, and income. Curtis struggles, like any local artist, with the scene in Anchorage, Alaska. Curtis has also been successful outside of Alaska, and the country.

Curtis Vodka is the continuously evolving eclectic musical personality of Scot Aho, a born and raised Alaskan. This mindset of musical creation, introverted and hermetic at times, sprang from a multi-cultural upbringing, lack of interest in school, and a gigantic and obsessive record collection. A parallel fascination with movies, specifically John Carpenter films and soundtracks, also fueled this ever-developing energy. Scot chose the name "Curtis Vodka," for a few reasons. Scot cherishes his privacy, and being a DJ and needing a stage name, he didn't want to use his, but he is also primarily a producer and did not want the 'DJ' tag to affect that facet of his music. Scot says "Curtis Vodka sounds like someone's name, and I thought that making a different name, an actual stage name that didn't come off as 'DJ something,' would probably catch more attention."

"Everyone wants a big break. I don't know if I want a big break. I just want to keep making music, and live comfortably." Curtis Vodka is a fairly common name in the underground music scene in Europe, and the US, too. Curtis Vodka has had a few opportunities to sign with major labels. "People get on my ass because they know about my story...I would love to be rich, just like everybody else, but famous? I saw what that does to people, and I think it's so pathetic." Recognition is different, however. "It's cool to walk into a room or go play a gig and everyone knows who you are, I love that. I think it's awesome that I don't know these people, and they are willing to listen to my music."

He flourished in popularity over one remix, specifically. "Back in 2005, my German friend showed me this track by a popular-at-the-time Euro-pop star Uffie. I hated it. I thought it was garbage. Somewhere along the line, she was like, 'Can you make it better?' I made it as a joke...and no one got it. It kind of represents my jokes, like how I tell a joke. No one gets it, and I get in trouble for it." Scot laughs.

"Pop The Glock (Curtis Vodka Remix)" by Uffie blew up. Curtis Vodka made a few other tracks to keep up with it and was then contacted by Adidas in Sweden and asked to DJ a party. This was the beginning. When word picked up around Europe that Adidas in Sweden was hosting Curtis Vodka, he got several other gigs. Denmark, Finland, Norway, France, Spain, and Germany were all destination spots on this spontaneous tour. This was all well and good except for one thing: "Aside from playing smaller gigs here in Alaska, I had never deejayed before...not like that. I ended up touring with about five CDs." This limited catalogue was the extent of his set for the entire European tour. Good thing Curtis Vodka knows what people want to hear.

Even for being admittedly under-qualified, he survived, coming out on top, with more work possibilities and a better grasp for his profession. Curtis Vodka, subsequently released and EP that got a lot of attention. He was asked to ghost produce for several top 40 hits. Several things he guarantees you have heard, but can't point out to you or me because of the nature of the "Ghost Producer" job.

Scot and I talked about another one of his passions: film. He named John Carpenter as the number one influence on his music and life. "Soundtracks are my thing. Escape to New York, The Fog, and Assault on Precinct 13... I remember buying all those soundtracks. I was like, I wanna make this.' Scoring for films is still one of my passions. In the 80s, he (John Carpenter) had it. He also had a band called 'John Carpenter's The Coupe De Villes,' it was really early 80s electro. Good stuff."

Curtis names his favorite show ever as "The Do-Over" in Los Angeles. He was a special guest DJ, and DJ Jazzy Jeff complimented him after his set. I asked if Curtis Vodka would be releasing any material in the near future. He said that any releases at this point would be EPs, and that it is in the works. For now, you can check out the picture links in this blog for Curtis Vodka's work, or listen to the tracks below. Scot Aho is a humble and real human, his vibe came through in this interview. Keep an eye on this guy.

Latest tracks by Curtis Vodka

Curtis Vodka DJs every Saturday at the Avenue Bar on 4^th Avenue with fellow DJs Laserwolf. You can also catch him at the next "80s Party" at the Avenue Bar.

(Correction: The next 80's Party is on January 12th!)

UPDATE!!! CURTIS VODKA RELEASED HIS EP!!! TAKE A LOOK BELOW!!! WE'RE SO EXCITED!!!

&amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://coralrecords.bandcamp.com/album/untitled-ep-splash005"&amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;quot;Untitled&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;quot; EP - SPLASH005 by Curtis Vodka / Unknown&amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

Jeremie plays bass guitar in Anchorage rock band Robots Helping Clones and is an Assistant Editor at Anchorage Night Out. You can reach him at bands@anchoragenightout.com.

Feel free to leave your comments below!

Free Hit Counter

01/03/2012 - Special deals on live concerts at Alyeska's Sitzmark Bar & Grill

Tue, 03 Jan 2012 08:00:00 GMT

Flowmotion to play their final show as “Flowmotion” in January at Alyeska Resort; Special deals on live concerts at Sitzmark Bar & Grill

January 3, 2011 (Girdwood, Alaska) – Flowmotion, a popular Seattle-based band, has announced their forthcoming album will be released as a new band “The True Spokes.” The band plans to play its final shows as “Flowmotion” at the Sitzmark Bar & Grill on January 13, 14 and 15, 2012. The Sitzmark Bar & Grill is located near the Daylodge base area of Alyeska Resort. The Flowmotion shows are $10 in advance and $15 day of show. There is a special two for one admission on the Sunday night performance.

Flowmotion has dominated the Northwest live music scene for over 10 years, garnering thousands of fans throughout the entire West Coast region via relentless touring and as hosts of their very successful music festival, Summer Meltdown (held every August in Darrington, WA.) In a letter to their fans the band states, “The music the band is writing and recording has reached a point where the name Flowmotion is an unsuitable description for who the band is now. With a solidified line up and many members writing material, transitioning to a new band name allows us to evolve into whatever it is we want to become."

They go on to state, "Sometimes an artistic desire and inspiration churns so hard in our guts we don't have a choice but to follow it, regardless of the financial or social ramifications. We're extremely excited for the new album and consider it to be one of our proudest achievements.”

With this announcement the band is releasing the first track off their new self-titled album, dropping February 3rd. This album is being co-produced by The True Spokes and The Mother Hips’ Tim Bluhm, and features performances by both Tim and Nicki Bluhm (Nicki Bluhm & The Gramblers). To hear the first song, “Back Porch,” visit their new website www.TrueSpokes.com.

The track is also available here via SoundCloud.

The Sitzmark Bar & Grill at Alyeska Resort has established itself as top music venue. The diverse music line-up for the 2011/2012 season includes a healthy mix of local Alaska bands and legendary national acts. With a casual ambiance, bar games and classic ski paraphernalia decor, the “Sitz” – as it’s fondly called by locals – has also grown into a formidable convert venue in Southcentral Alaska. The bar features over a dozen draft beers, full bar and new this winter, late night snacks.

Concerts at the Sitzmark start at 10:00 P.M. with doors open at 9:00 P.M. for guests ages 21 and over. Tickets for Sitzmark concerts can be purchased online at the resort website, at the Sitzmark or any Alyeska Ticket Office and by phone at 907-754-2275.

The Sitzmark offers a special two for one admission for all bands with a scheduled Thursday night performance. Qualifying bands this winter include: Great American Taxi, Pato Banton, Lucero, Shannon McNally and Hot Sauce, Potcheen, and Peter Rowan and the Free Mexican Airforce.

Highlights from the 2011/2012 music calendar:

Flowmotion (www.flowmotion.net)

January 13, 14 and 15, 2012

Admission: $10 advanced / $15 day of show

Great American Taxi (www.greatamericantaxi.com)
February 16, 17 and 18, 2012
Admission: $15 advanced / $20 day of show

Pato Banton (www.patobanton.com)
March 23, 24 and 25, 2012
Admission: $10 advanced / $15 day of show

Lucero (www.luceromusic.com)
March 1, 2 and 3, 2012
Admission: $20 advanced / $25 day of show

Shannon McNally and Hot Sauce (www.shannonmcnally.com)
March 8, 9 and 10, 2012
Admission: $10 advanced / $15 day of show

Potcheen (www.thepotcheenfolkband.com)
March 15, 16 and 17, 2012
Admission: $10 advanced / $15 day of show

Peter Rowan and the Free Mexican Airforce (www.peterrowan.com)
April 5, 6 and 7, 2012
Admission: $20 advanced / $25 day of show

For a complete band line-up and to purchase tickets, please visit www.AlyeskaResort.com. For more information on Flowmotion, or to schedule an interview, please contact Erin Bruce at erin@stokedsiren.com.

About Alyeska Resort (www.AlyeskaResort.com)
Alyeska Resort is Alaska's premier year-round destination featuring The Hotel Alyeska, an award-winning 304 room full-service property. Located just 40 miles from Anchorage and Ted Stevens Anchorage International Airport, Alyeska Resort is your base camp for summer and winter excursions. Alyeska Resort stands out during ski season with 650” of average snowfall annually and the longest-continuous double black diamond ski run in North America. Learn more about the resort and plan your Alaskan adventure at www.AlyeskaResort.com or 800.880.3880.

12/30/2011 - ANO COMIC BLOG #1 - KELLY LEE WILLIAMS

Fri, 30 Dec 2011 08:00:00 GMT

by Jeremie Fincher

Kelly Lee Williams is more than Anchorage's favorite comic. He is an actor, an athelete, a DJ, an MC, a host, a radio personality, a singer, a stay-at-home father of six, a professional night owl, and a husband to an equally busy and talented woman. This guy is, hands-down, one of the busiest guys in town. I have been fortunate enough to catch a bit of Kelly's acting work, but it's hard to keep up. Kelly Lee Williams is everywhere, all at once. Full schedule aside, Kelly had some time to sit and chat about his upcoming gig. Children's Meal Mission asked Kelly to open for Tommy Davidson on January 13^th. He accepted, graciously.

Kelly describes the comedy scene in Alaska as "harrowing," but he is doing everything in his power to change that on a daily basis. "There's a big local talent pool here. There's some really funny people here, and nobody's coming to see them, and it disappoints me big time." He hosts "Wide Open Mic" at the S Lounge on Sunday nights and encourages acts of all kinds, especially stand-up comics, to come out and perform. This is one of the only open mics in town that is comedy friendly. "We have nation-wide local talent here. We just have to get the word out. We have to get these kids in front of enough people." Kelly opened for Carl LaBove twice, Eddie Griffin last year, and was slated to open for Wanda Sykes (all in a matter of 3 years), but a very unfortunate and unforeseen booking error bumped Kelly off the bill, leaving Wanda as the sole performer of the evening. This was quite a blow, but didn't slow Kelly down a bit. He's bound and determined to change the Anchorage comedy scene, and beyond, permanently, starting January 13^th.

Kelly moved up to Alaska in 2008 with his wife Dee and six children. Sarah Palin, during a vice presidential debate, mentioned the Alaska Permanent Fund Dividend, and how each resident receives a check "just for being Alaskan." Dee, with her medical background, sent a resume to Providence Hospital and got hired for the Labor and Delivery Management position. The family packed their lives up and moved from Chicago, Illinois where Kelly worked for the Chicago Bulls for 8 years as "IncrediBull," and "Dancing Ref." The move was so quick that his last Bulls game was his last night in Chicago, and the next day, the Williams' arrived in Alaska. Kelly had made it a personal goal to meet Sarah Palin by the end of 2009, but by means of chance, Kelly ended up meeting Palin within the first month of moving here, working at the Tesoro Iron Dog as a sound man. It's a small world.

Check out Kelly's YouTube Channel!

Kelly has been extremely active in the arts community since he arrived in Alaska. Kelly has worked with Mr. Whitekeys in two 2011 shows. The first run was a 33 night showing of "Whale Fat Follies," in which every show sold out. The second, "Christmas in Spenard," was a 12 show run that sold out before the opening evening. Both were held at Tap Root, the old Fly By Night Club where Whitekeys started everything, and both were huge successes.

Kelly has also acted in several local plays. Tap Root had a dinner theater showing of Clue last winter, in which Kelly played 'Wadsworth.' He was cast in multiple roles in Tommy at Mad Myrnas. Mr. Whitekeys saw Kelly in a performance of Tommy and hired Kelly for "Whale Fat Follies." Williams starred in Rocky Horror Picture Show (also Mad Myrna's), for which he wrote an article in Alaska Awareness Magazine about losing 30 lbs to play the role of 'Rocky.' Kelly also taught a private comedy class in Spring of 2011 in which 45 people signed up. Funny enough, Dee Williams is on the Alaska Theater of Youth Board, too. The Williams' are a very artistic family.

Kelly has multiple facets to his artistic talent, too. He's a singer as well, and recently performed with his son, Kelly Lee Williams Jr., at the Performing Arts Center as part of a 12 member chorus arranged for Step Afrika! The video below is a rehearsal and part of the performance of "Wade in the Water." A majority of his theater gigs are musical, and he's also been known to rock some karaoke, winning a few big contests in his day.

Kelly Lee Williams on the United Center court.

Kelly has several regular events that keep him busy weekly. In proper season, Kelly plays centerfield and bats fourth for the BGES Bobcats. He deejays at the Peanut Farm on Friday night, and every Saturday night after the Rage City bouts and a specially scheduled New Year's Eve gig (Saturday December 31st). As Master of Ceremonies, Kelly is also the voice of the Rage City Rollergirls, and happened to get the Davidson gig via a recommendation of Gracy Kirkham, one of the Rollergirls.

The Rage City Rollergirls

Kelly has also done some film acting and commercial work. He worked on both major motion pictures that were shot in Alaska in the past two years, Big Miracle (formerly known as Everybody Loves Whales), and Frozen Ground. He had a small speaking role in the first film as 'Producer #3', and was cast as 50 Cent's stunt double for Frozen Ground. Also, Alaska Club, Providence Cancer Center, and Alaska Airlines all hired Kelly for their television advertisements. You can see his face all over your TV, and now that you know where he is, all over town.

This photo helped Rod Blagojevich get re-elected in 2006.

Don't forget, you can see Kelly open for Tommy Davidson at the Dena'ina Center at 8:00 PM January 13^th with guest comedian Komplex from Baltimore. Man At Large hosts the evening, and you can get your tickets at www.ticketmaster.com or any Fred Meyer Ticketmaster location. You can also charge by phone. Call 1(800)745-3000. Tickets are $30 a piece, or $55 for VIP passes, which include a meet and greet with Tommy Davidson. Come out Sunday nights to S Lounge at 720 Gambell St. for "Wide Open Mic," and support the amazing talent in this town.

Jeremie plays bass guitar in Anchorage rock band Robots Helping Clones and is an Assistant Editor at Anchorage Night Out. You can reach him at bands@anchoragenightout.com.

Feel free to leave your comments below!

Free Counters

12/28/2011 - Alaska Native Heritage Center receives ANA Grant

Wed, 28 Dec 2011 08:00:00 GMT

Alaska Native Heritage Center receives ANA Grant

The Alaska Native Heritage Center (ANHC) is pleased to announce that they were
recently awarded a three-year grant through the Administration for Native Americans
(ANA) Social and Economic Development Strategies (SEDS) program. ANA's FY 2012
SEDS goals and program areas of interest are focused on strengthening children,
families, and communities through community-based organizations, tribes, and village
governments. The purpose of ANA is to promote the goal of economic and social selfsufficiency for American Indians, Native Hawaiians, Alaskan Natives, and other Native
American Pacific Islanders, including American Samoa Natives.

The ANHC will be implementing a three-year Youth Development project whose goal is
to improve community connectedness and both educational and vocational outcomes
for Alaska Native youth ages 14-25. ANHC believes that a sense of community support
and the connections established within a community are closely tied to educational and
vocational outcomes for Native youth. Using a culturally based approach, the proposed
project will develop weekly classes and one-to-one coaching for students to provide
guidance with high school graduation requirements , set educational and vocational
goals for after high school, and access resources to support their goals. ANHC also will
develop weekly activities to assist students to become more aware of and connected to
the Native community within Anchorage, including planning youth-led community
events.

Additionally, the project will develop up to 30 new internship jobs in ANHC program
operations areas that would be most likely to build skills for entry level competitive
employment, and will incorporate job readiness coaching into these internships to
improve the transition to regular employment.

This three-year project will serve 100 youth per year and will achieve the following
objectives: 1) The ANHC Youth Development Project will develop and infuse community
connectedness curriculum and classes, for 85 youth each year who are involved in
ANHC’s High School Program, in order to combat the effects of cultural alienation and
community fragmentation. 2) develop and infuse graduation/career/job readiness
curriculum, classes and coaching for up to 85 youth each year who are involved in
ANHC’s High School Program (HSP) or internship programs. 3) develop and implement
30 part-time paid youth internships each year that are based on core competencies in
program operations, which include job-readiness and skills for regular paid employment.

The Alaska Native Heritage Center is a non-profit organization dedicated to sharing,
perpetuating, and preserving Alaska Native cultures, languages, traditions and values through celebration and education. It is located at 8800 Heritage Center Drive in northeast Anchorage, just off Muldoon Road North near Bartlett High School. For more information about other events and programs, visit www.alaskanative.net

12/27/2011 - Alyeska Resort joins national Learn to Ski & Ride Month campaign

Tue, 27 Dec 2011 08:00:00 GMT

Alyeska Resort joins national Learn to Ski & Ride Month campaign; special $99 beginner group lesson package valid for three lessons in January

December 26, 2011 (Girdwood, Alaska) - The snowsport resort industry's annual charge to introduce kids and adults to skiing and snowboarding kicks off in January. Learn to Ski and Snowboard Month is a national initiative designed for all ages to encourage trial and improvement of snowsport skills through lessons and coaching. Alyeska Resort officially joins the effort this winter with an introductory package that includes three lessons, lower mountain lift ticket and rental equipment for $99 per person.

The Alyeska Resort Learn to Ski and Snowboard Month package is designed for those new to skiing and snowboarding. The $99 package includes beginner level group lessons with certified instructors from the Alyeska Mountain Learning Center. The package represents a savings of $110 off regular lesson package rates. The package also includes lower mountain lift ticket which provides access on the magic carpets, Bear Cub Quad and Chair 7 and rental ski or snowboard equipment from top manufacturers including Rossignol, Salomon and Burton. The three group lessons are valid between January 2 and 31, 2012. Those interested in a ski package must be age five or older; those preferring a snowboard package must be age eight or older. Packages can be purchased in person at the Mountain Learning Center Desk located in the Daylodge, online at AlyeskaResort.com or by phone at 907-754-2280.

With the marketing mantra of "Humans Were Never Meant to Hibernate," the Learn to Ski And Snowboard Month advocacy group works with the major players in the industry including most major resorts, National Ski Area Association, U.S. Ski and Snowboard Association, Snowsports Industry Association, Professional Ski Instructors of America, National Ski Patrol, U.S. Forest Service and many more. Learn to Ski and Snowboard Month was started in 2009 when resort associations in just a couple of states decided to launch their state-wide programs. Now, more than 300 ski areas, resorts and Nordic Centers offered special learning programs during January. In some states, learning programs for cross country skiing and snowshoeing are also offered as part of the initiative. For more information, please visit www.SkiandSnowboardMonth.org.

In January 2012, between the 14^th and 22^nd, Alyeska Resort is also recognizing the importance of safety on the slopes celebrating National Safety Awareness Week. The primary goal of the week's activities is to raise awareness among skiers and snowboarders for safe habits and practices on the slopes. The promotional week offers a number of programs and activities designed to reinforce positive practices on the mountain with fun rewards for participating skiers and snowboarders wearing helmets, partaking in freestyle coaching, avalanche beacon training and more.

Alyeska Resort's Safety Week finishes with the third annual Ski Patrol Auction on Friday, January 20^th, a fund-raising event benefiting the resort's avalanche dog program. The program includes three rescue dogs. The evening promises a lively time with Anchorage-based emcee and auctioneer extraordinaire, Paul McGuire. Guests will be bidding on early morning ski tours with Alyeska's ski patrol and mountain operations team. The event is all ages and free to the public. Local band Big Fat Buddha plays the Sitzmark concert venue the same night starting at 10:00 P.M. Tickets to the 21 and over show are $5 and can be purchased online, at any Alyeska Ticket Office or by calling 907-754-2275.

Alyeska Resort's Safety Week is part of a national level program administered by the National Ski Area Association (www.nsaa.org). NSAA is a trade association for ski area owners and operators. It represents 325 alpine resorts that account for more than 90 percent of the skier/snowboarder visits nationwide. The organization has developed a variety of safety campaigns which have helped resort operators standardize safety messages on mountain. NSAA originally introduced the campaign "Your Responsibility Code" which promotes skiing in control, observing mountain signs and warnings, and using devices to prevent runaway equipment. Evolving with the needs of the snowsports industry, NSAA also developed the "Smart Style" program which includes safety initiatives specific to freestyle terrain which includes terrain parks and half pipes.

About Alyeska Resort (www.AlyeskaResort.com)
Alyeska Resort is Alaska's premier year-round destination featuring The Hotel Alyeska, an award-winning 304 room full-service property. Located just 40 miles from Anchorage and Ted Stevens Anchorage International Airport, Alyeska Resort is your base camp for summer and winter excursions. Alyeska Resort stands out during ski season with 650' of average snowfall annually and the longest-continuous double black diamond ski run in North America. Learn more about the resort and plan your Alaskan adventure at www.AlyeskaResort.com or 800.880.3880.

About the National Ski Area Association (www.NSAA.org)

The National Ski Areas Association is the trade association for ski area owners and operators. It represents 325 alpine resorts that account for more than 90 percent of the skier/snowboarder visits nationwide. Additionally, it has 472 supplier members who provide equipment, goods and services to the mountain resort industry. NSAA was established in 1962. The association's primary objective is to meet the needs of ski area owners and operators nationwide and to foster, stimulate and promote growth in the industry. Learn more about NSAA at www.nsaa.org.

12/27/2011 - What a Week... With Portugal. the Man

Tue, 27 Dec 2011 08:00:00 GMT

by: Darrin Christopher Huycke

When I landed in Fairbanks on December 14th at 2:30pm, I immediately text messaged a friend and said that I was watching the sunset. I had never been that far North during the winter daylight hours and though it was beautiful, it was only mid-afternoon! That "day sunset" gave me the vibe that it was going to be a great night.

The crowd's volume hushed and the stage lighting dimmed as the headlining band of the night was about to start their set on the stage of the Blue Loon in Fairbanks, AK. The energy and anticipation was high as the audience awaited the first notes by Portland boys: Portugal. the Man . My eyes wandered around; it was my first time in the Blue Loon and the atmosphere of the venue dazed me. It reminded me of the Bear Tooth Theater. The difference is, Bear Tooth has a capacity for their shows of 1100 people, whereas Blue Loon holds 400. The stage, the mezzanine, and many other features make the Blue Loon a very appealing venue to see shows. As the band struck their instruments & the lights flashed on beginning the next hour of our lives, I was in awe, and thought to myself: "What a week..."

Photo by Steve Hagar

In the days prior to my arrival in Fairbanks, I started checking out the local band that was opening for Portugal. the Man, Young Fangs. We didn't get to speak until before the show, in fact, right as they were walking on stage, but I was able to follow up with them after they were finished. Young Fangs haven't been around long. "We started doing shows in January of this year (2011)" says Joshua Labuda, singer and guitar player for Young Fangs. Since then they have already opened for: Filter, laVoy, and now Portugal. the Man. Even though they have had such amazing success so quickly, there were whispers heard through-out the crowd asking "Who ARE these guys?" Well, Young Fangs is a three piece consisting of two brothers, Joshua and Brennen Labuda, and Joel Fagre.

The crowd was really into it and compliments were flowing out like the beer taps. Not all fans were new though, "When we moved away from the mic, everyone was singing one of our songs. It's really the greatest feeling ever," says J. Labuda . Young Fangs have the sound that motivates you to dance, yet settles your mind into a state of peace. With similarities to Tokyo Police Club, the Morning Benders, and Kings of Leon, I was sold that they there were a perfect match to open for the world touring force of Portugal. the Man. Young Fangs has a crazy weekend of shows soon. You can catch them opening for AWOLNATION on Friday, January 6th, 2012 at the Blue Loon, and at the Sitzmark Bar in Girdwood, Alaska on Saturday, January 7th with laVoy and The Sweeteners.

Photo by Steve Hagar

Moments before Portugal. the Man took the stage to start the set, I spoke to lead singer John Gourley briefly. John and myself have shared some unique memories in the past, and we both were excited to see each other. Gourley and Zach Carothers (bass and vocals) are originally from the Wasilla area, which had a thriving music scene from 1998 through 2004. That scene revolved around a great venue called: Mead's Cafe, and back then, we could have never understood how much we would cherish that place.

As time rolled away from our Wasilla days, I witnessed what can truly come from the ambition and hard work of following your dreams. After departing the state to further pursue Anatomy of a Ghost, the previous project of Gourley and Carothers, Portugal. the Man was born. It's not too hard to Google Portugal. the Man and see what has taken place since the formation, but as a friend of theirs, and to know they are touring the world and influencing lives, it is truly amazing. While talking with Gourley as he was about to get on stage that Wednesday night at the Blue Loon, I could see the joy in his face to be doing these homecoming shows.

Photo by Steve Hagar

Portugal. the Man took us swiftly into the world of which Gourley and the crew write about. Their set was one of the best I had seen from them. They had mastered their craft even more since the last time I saw them in Spring '10. As the band finished up their set, there were outcries for an encore almost immediately, and it didn't take long for them to get answered. Portugal. the Man rocked out their final songs and departed the stage to go spend time with fans and family members that reside in Fairbanks. It was an intimate and amazing show that night, yet there was more to come with the next show in Anchorage, AK at the Egan Center two nights later.

Photo by Steve Hagar

After a full day of recovery, it was time for the "big shebang" homecoming show for Portugal. the Man on December, 16th Egan Center. I was in for another night I wouldn't forget, starting with a set from local Anchorage band Turquoise Boy. Turquoise Boy had a great set, which wasn't a surprise because they have impressed me at every performance. Assistant Editor for Anchorage Night Out, Jeremie Fincher, profiled Turquoise Boy in Anchorage Night Out's "Band Blog" section. Once Turquoise Boy finished their set, Anchorage was ready for the homecoming performance they had been waiting months for, if not years.

Portugal. the Man has done a handful of shows in Anchorage since they started, but none were as big as this one. Years ago they had their first shows in Alaska, one at Chilkoot Charlie's and the Downstairs. In the Spring of 2010 they played another show at the Bear Tooth Theater. The vibe of those shows were more low-key than the Egan Center one, maybe because of the difference in venue size, or that this was the first combined all ages show in Anchorage. More than likely it is because Portugal. the Man is "on their game" as of late. After their return home from a tour around Europe, Portugal. the Man will be heading back to do another European tour, but this time they will be opening for the Black Keys.

Portugal. the Man's performance that night certified their impact to Alaska's music scene. If Alaskans had not witnessed their craft before, they had now and left understanding why the world has turned heads towards Portugal. the Man. This was not only their biggest show they have put on for Alaska, but also their own families. I could see the glow in Gourley's and Carothers' face when they walked off stage. With the mass amounts of shows they have done throughout the years, not many end with being embraced by family, and that just added to that aura of the night.

The Alibi Album (Facebook)

Not long after the show was over, the band and their staff regrouped and headed over to their private after party at the Anchor Pub. Past and present friends gathered around, sharing drinks and stories, catching up with the development of each others lives and life on the road. It was a magical night and the cap to a homecoming experience over 2000 people shared. At the end of the night, I grabbed Gourley for a second to thank him for all that came out of our friendship so many years ago. Not just for the unforgettable week I had working with him, but for him sharing his vision with the world that we had spoke about during those Mead's Cafe shows. The conversation was interrupted though when his phone begged for attention. I asked him, "John, it's YOUR after party, and it's past midnight. What could possibly distract you from this?!?" He simply replied, with a grin on his face "It's 10am in Paris, France. There's always work to do. They're playing us on radio right now and asking me when we'll be back." As I let that soak in, I basked in the realization that all of this is much bigger than I had grasped.

Photo by Emily Dyan Ibarra

http://www.ediphotoeye.com

I had witnessed the growth of true artists. Musicians, which sacrificed for over a decade to achieve their goal to share their love of music with the world. It began as small shows in Mead's Cafe, to getting messages from Paris about singles they are playing on air. Portugal. the Man got this far because of you, the music fan, that went to the podunk shows in the middle of nowhere. The fans that bought $5 demos that didn't have the best audio quality. This isn't the way just Portugal. the Man got to where they are, but how ANY local band does. So I ask you, please, support local music! Get out to the shows you hear about around town on Anchorage Night Out (all ages, 21+, ANY!) . Get to know the musicians you enjoy. Support those that support local music. Listen to 94.7 the End, they have a two hour segment called "Homegrown" which plays local music only, and airs every Sunday at 7pm. Read and share local band interviews, can you find some right here on Anchorage Night Out. Watch TV shows like "The Venue" which airs on Sunday (Saturday late night) at 12:30am on Channel 2 KTUU, or "Underground Live" at 1am on Sunday & 2:30am on Monday on Channel 5 KYES.

Enjoy local, enjoy music, enjoy life.

Darrin Christopher Huycke

12/21/2011 - Anchorage CVB Announces New Name - Visit Anchorage

Wed, 21 Dec 2011 08:00:00 GMT

Anchorage, Alaska - Dec. 15, 2011 - After 36 years of bringing business to Anchorage and diversifying Anchorage's economy, the Anchorage Convention & Visitors Bureau is now doing business as Visit Anchorage. The name change was announced today during its December membership luncheon.

The Municipality of Anchorage created the Anchorage Convention & Visitors Bureau in 1975 in response to voters and the visitor industry to stimulate tourism growth and to diversify the economy. The name Visit Anchorage makes finding Anchorage visitor information easier, reinforces the organization's marketing efforts and reduces confusion about the organization's purpose.

"Visit Anchorage instantly identifies our industry and business," said Julie Saupe, Visit Anchorage president & CEO. "It ranks high in searches for Alaska attractions, events and tourism businesses, making it simple for people to find travel information on Anchorage and Alaska. Although our Web properties are already very search-friendly, this is an additional boost. Anchorage Convention & Visitors Bureau is a mouthful - Visit Anchorage saves seven syllables and is much easier to say."

Though the name is different, the mission is the same: to attract and serve visitors to Anchorage. The city's brand - Big Wild Life - remains central to all Visit Anchorage's marketing campaigns and sales efforts. New publications and ads produced by the organization will carry the Visit Anchorage name, while sharing Anchorage's singular mix of wild adventures and metropolitan amenities.

Many other destination marketing organizations have made similar changes. San Francisco Convention & Visitors Bureau (CVB) changed to San Francisco Travel; Orlando's CVB became Visit Orlando and Grand Rapids CVB switched to Experience Grand Rapids. Other cities that changed their names include Portland, Ore.; Buffalo, N.Y.; Savannah, Ga.; Norfolk, Va.; Jacksonville, Fla. and Fort Wayne, Ind., to name a few more.

For more on the name change, visit www.Anchorage.net/name.

Visit Anchorage is dedicated to attracting and serving visitors to the Municipality of Anchorage while building and diversifying the Anchorage economy. The organization's marketing functions are funded by one-third of the bed tax collected by lodging facilities. One-third goes to the Municipality's general fund, and one-third to service the bond debt and operations of the Anchorage Convention Centers. Visit Anchorage receives no state or federal funds. Visit www.Anchorage.net for more information.

MEDIA CONTACTS:

Jeanette Anderson Moores
Visit Anchorage VP Communications
jmoores@anchorage.net

Jack Bonney
Visit Anchorage PR Manager
jbonney@anchorage.net
(907) 276-4118

12/15/2011 - ANO BAND BLOG #6 EMMA HILL's EP RELEASE

Thu, 15 Dec 2011 08:00:00 GMT

by Jeremie Fincher

Emma Hill is a young woman in a league of her own. Very few solo artists from this state have gone forth and made a name for themselves 'outside.' Emma Hill has done so, spending the last five-and-a-half years developing her craft, writing and recording three full length albums and dozens more songs, touring all over our country and beyond, and co-owning a small record label with her family. This was all done while she completed her education in Portland, Oregon, her destination of choice, attaining a degree amongst the flurry of all of the music hustle and bustle. This past summer, Emma came back up to visit, and decided it was time for a homecoming, something more permanent than living out of a suitcase for 14 months. "I'm missing home. I'm actually gonna say that out loud...I miss being here on a regular basis. It's fine to come back and visit, but it's not enough." Well, Emma Hill has come home.

"Alaska Dear, I'm Coming Home," is Emma's latest musical endeavor. This 7 song EP has a title track that was written in 2010, an a cappella piece Emma wrote about being homesick. "It just ended up working out nicely this summer when I decided to move back, and Bryan and I got to talking. He asked 'how do you feel about just putting a low cost EP out? It's fun for the fans, we'll just keep it inexpensive, affordable, basically all that money (revenue) we could put toward the next big album, that's already written."

Bryan Daste is the co-owner of Magic Closet Studios in Portland, Oregon where Emma has recorded all of her albums. Emma's first demos in Portland were the reason the two met in Spring of 2007. In Fall of 2007, Emma started recording her first full length album. "Bryan ended up co-producing that with me, because the more I worked with him the more I appreciated his ear. Since 2007 we've been musical partners, and it's one of the biggest blessings in my life. He's a phenomenal person, a wonderful musician and recording artist, and he's become like a brother to me..."

<a href="http://emmahill.bandcamp.com/album/alaska-dear-im-comin-home">Alaska Dear, I'm Comin' Home by Emma Hill</a>

This EP is a special one. It's being released in a digital download only, and is also being released at a special show. Emma Hill will be the first musical act to play the Alaska Experience Theater. Emma explained that she wanted this show to be about the musical 'experience,' hence the venue. No drinks, no food, just Emma and Bryan, and a one-of-a-kind homecoming celebration. Tickets are $20 and are on sale at http://www.alaskaexperiencetheatre.com/buy-tickets. There will also be a special T-shirt and EP Download Package at the show.

Daste, with much thanks and appreciation from Emma Hill and company, will be performing with Emma on December 17^th. ShirtsUp, a local Anchorage business, has sponsored Bryan's trip. Emma comments, "We look forward to working with them in the future."

Emma's holiday spirit shines through in her music this season. "We have a Christmas song on the new EP that I'm really excited about. It's a song that I wrote last year in Amsterdam. I ended up flying home on Christmas Day... just in time for dinner. When Bryan and I were talking about doing the EP, he's like, 'Let's release it before Christmas and put that song on there!' and he worked up this really fun instrumentation and some backing vocals." It also includes a gorgeous 3 song live set from a Vagabond Blues performance this fall.

In the last 14 months alone, Emma has been on fire. Her and Bryan played 28 cities in 33 days on a jet tour, she spent six weeks in Europe, and February through April of this year "we did an eight and a half week tour including stopping in SXSW for the week. Then June, I went up to Toronto for my second appearance at NXNE." In that time, they also wrote and arranged the upcoming EP, and Emma moved home."Oregon will always be 'home away from home' for me...When you live the life that I live, always being on the road, when you do have time off, I think it's really important to feel like you're ready to put some kind of roots down. Alaska was just...shouting back at me."

Emma picked a great time to come back. Anchorage is as lively as ever. "There are some really cool things happening in the music scene in Anchorage right now. I didn't even really know that when I made my decision to move back. I am fortunate enough to be working with Monolith Agency...I'm proud to be part of that family and they've been so supportive...I really appreciate those guys." Monolith Agency is presenting the EP Release Party at the Alaska Experience Theater.

Emma Hill played the Monolith Showcase this September at Tap Root. 'It was awesome to see how much love they were giving to local bands that weren't even on their roster." Monolith Agency has booked some popular underground artists from out-of-state in Anchorage venues over the past year, giving local bands a chance to open, or even play with bigger names. A few local artists, including Evan Phillips and Derek Mangrobang, played for Romany Rye at recent Monolith shows.

Hitting the cover of No Depression several times, the Morning Edition of NPR, and several college and national music charts are among the highlights of Emma's epic excursion away from Alaska, but just because Emma has moved back, doesn't mean she's stopping. She's just replanted here. "We're booking a three month tour, we're going back to SXSW this year, and I'm probably going back to NXNE." She also mentioned the fourth record possibly rearing it's head when she returns. Emma means business.

Emma personally invites you out to her EP Release party. "It's a two hour deal, come sit down, we'll have a break in the middle, we'll tell some stories. Bryan and I are capable of performing a really magical, intimate show. We'll have an Experience." The Alaska Experience Theater is located at 333 W. 4^th Avenue. Don't forget your tickets at http://www.alaskaexperiencetheatre.com/buy-tickets.

Anchorage Night Out would like to thank Mark Farnsworth for his work with Emma Hill. Thanks Mark!

Jeremie plays bass guitar in Anchorage rock band Robots Helping Clones and is an Assistant Editor at Anchorage Night Out. You can reach him at bands@anchoragenightout.com.

Feel free to leave your comments below!

Free Hit Counter

12/09/2011 - ANO BAND BLOG #5: TURQUOISE BOY

Fri, 09 Dec 2011 08:00:00 GMT

Beards and Boys: The Supergroup

Click the picture above to check out www.turquoiseboy.com! (Left to Right: Marc Bourdon, Kelsey McGee, Winston Monticello, and Derek Mangrobang)

by Jeremie Fincher

<a href="http://turquoiseboy.bandcamp.com/album/demos">Demos by Turquoise Boy</a>

Occasionally, I find myself questioning the validity of the word 'supergroup' as a label for local Anchorage bands. I have admired supergroups of the past, in the national level of the music industry. CSN, Temple of the Dog, Foo Fighters, A Perfect Circle, Them Crooked Vultures, are among my personal favorites, and are great examples of this term. Wikipedia gives the definition "A rock group whose performers are already famous from having performed individually or in other groups." I think it was the word 'famous' that always bothered me. That word is completely relative. In our small town, Anchorage, it's hard for me to call any music from Alaska, other than 36 Crazyfists, Static Cycle, and Jewel, famous. The latter of which I would very easily sweep under the rug as an "Alaskan" artist.

Over the past year, in this town, I have learned just how relative 'famous,' is. We've been very fortunate to host several big name acts in the past two years, more so than previous years. Because of the size of our community, "Alaska gets these big bands, and someone has to open for them. It gives local bands more of a chance than say, L.A." As far as relative 'fame,' local bands are making headway by adding some larger acts to their musical resume, and because they're being exposed to a larger audience, they are gaining fans left and right. The few shows I've seen with local acts supporting the truly 'famous' headliner, the local groups KILL it. At least in our little isolated village here in the North, some of these bands are famous, so I have learned to curb my tendency to correct the 'supergroup' attribute.

Nicole Mosman - Z3 Photography Ã�ï¿½Ã¯Â¿Â½Ã�ï¿½Ã�Â©

The quote above is from Marc Bourdon, bass player for two local bands, Turquoise Boy and Historian. I asked him how he felt about Turquoise Boy being picked for the upcoming KZND Jingle Ball as the opener for Portugal. The Man. He had this to say: "This is the biggest show to date. Our most important show so far." Turquoise Boy opened for St. Vincent in April in the Wendy Williamson, Airborne Toxic Event in September, and had all of them been in the state, would have opened for Minus The Bear this summer, as well. When asked about these shows, one highlight from the St. Vincent show stuck out to me. "That's going to forever be one of my cherished musical memories. We're loading in, and she's sound-checking Actor Out of Work. That was extremely surreal for me. She even gave Derek and Kelsey all her spare orange juice and bread."

"Yeah, we're super excited for that (Portugal. The Man) show, couldn't be happier. We're working really hard for it." Marc continued. The Jingle Ball 2011, is being held at the Egan Center, sponsored by 94.7 KZND on Friday, December 16. Tickets are $25 and are available at all Ticketmaster locations. Show starts at 6:00 PM.

Turquoise Boy are a pop rock band with many facets, and are versatile enough for many different musical bills. These boys, per capita, have the most experience supporting larger musical acts in the Anchorage music scene. As much as I've resisted the term in the past, Turquoise Boy are a local 'supergroup.' Note the addendum 'local,' but also note that I'm a very stubborn person when it comes to my musical beliefs and feelings. These boys have "only been around since May," and they're making huge headway.

Derek Mangrobang, lead guitar and lead vocalist of the band, who was recently recruited as a temporary drummer for Romany Rye, says, "I've been waiting 10 years for this. It's a real symbolic moment for me, at least. I think all of us have been waiting a long time. This is the best radio push we've had." Derek played with Marc and Kelsey McGee, TB's drummer, in the Smile Ease, a now defunct local Anchorage band. When that group dissolved, Derek and Marc started formulating plans for Turquoise Boy, and naturally, Kelsey was nominated, and the three began working on what were demos of Derek's original music.

Kelsey, also drummer for local metal band Bolt Action Beaver, had known the band's fourth member, Winston Monticello (guitar, synth, vocals), from high school. Winston is the frontman and guitar player for local ska/punk band This Is Alaska (TIA). "I brought over the demo to Winston's house. That's how we got Winny. I've known him for awhile now and I showed him Derek's demos and he was like, 'Dude, this is sick. I wanna check it out!' So we brought him to a jam and we liked him."

"Yeah, plus the two halves of Beards and Boys were finally complete!" This is the band's 'secret codename.' "I always get mistaken for him (Winny) in public anyway, so this just makes it better," says Derek. I asked about the real band name's origin. Marc explained, "I'm from New Mexico, and I knew about this Navajo legend, Turquoise Boy, a kid who went on a quest to make a better life for his people, who eventually became the sun. That was kind of the working name, and we got that St. Vincent show, so it was cemented on the poster." The band admits the name is also a 'tip-of-the-hat' to Sonic Youth, as they have a song with the same name.

Nicole Mosman - Z3 Photography Ã�ï¿½Ã¯Â¿Â½Ã�ï¿½Ã�Â©

Because of the 'supergroup' aspect of things, and three of the members holding positions in other popular Anchorage bands, I found it poignant to ask what that was like. Winston said, "It's awesome. I really couldn't ask for more. I get to play both sides of the 'community.' A lot of the shows I play with Turquoise Boy I wouldn't typically play with TIA and vice-versa. I get to play, you know, in front of a lot of different people, plus I get to play with these guys, which is sweet in itself."

Kelsey, in Bolt Action Beaver, plays some very different music than what Turquoise Boy is producing. "Because I've been playing complex 'math rocky' stuff forever - it's nice to kick back and compliment these guys with some nice little drum licks. It's really easy to work with these guys too, all coming from different musical backgrounds and everything. It's just awesome to lay down a fat basic beat." Marc maintains that Kelsey is the band's secret weapon and that they are "all super psyched that we have a metal drummer. Besides the fact that Kelsey is one of the better drummers in town, that fact that he's a metal drummer brings a whole new aesthetic to the songs. Plus, you should hear his tasty harmonies!"

KZND has selected Turquoise Boy as their Artist of the Month for December. This always coincides with a party, planned for January 7^th at Chilkoot Charlie's. Pros and Cons, and Marc's other band Historian, will be supporting Turquoise Boy. They plan on having a single to release, along with an interesting B Side. "I'm working with Joseph Bourgeois from charts over Hearts. He's remixing quite a few of my tunes that we're playing in this band, which is awesome, because it's kind of two sides to the same coin. He was a fresh set of ears. He remixed 'Apostrophe.' He's super talented and he took the hook of it and used it in a really great way," says Derek. Marc agrees that Joe is one of the hidden talents in this town, and possibly the Northwest region.

In conclusion, Turquoise Boy is the most fitting band in Anchorage to be called a 'supergroup.' Opening for the following acts (that aren't previously mentioned) proves it to me. Here it is: Matt and Kim, Between the Buried and Me, Ra-Ra-Riot, Sick Puppies, The Mountain Goats, August Burns Red, Everclear (Derek and Winston, both, in seperate bands), Eve 6, Lit, Barenaked Ladies, Cake, and Slightly Stoopid. Impressive, to say the least. The boys are talking about a small West Coast tour in the next year, and Derek's method of putting forth 'nothing but good energy' into the fruition of the band, has proven them successful in the seven months of the band's existence. Keep an eye out for Turquoise Boy.

Don't forget to get your tickets to the Jingle Ball on December 16^th. Also, since December is the month for giving, the following evening, Turquoise Boy will be playing a private show for the beneficiaries of the Pump Up The Kids charity, now held annually by Fatguy and 94.7 The End. Noise Brigade and laVoy will also take the stage. The charity is a benefit for foster teens under the State of Alaska's care, providing these young adults with a joyful holiday season. The show is a party designated for the unwrapping of these gifts, and is strictly invite only. You can still help by sponsoring a teen's list. Go to http://www.947kznd.com/pages/11403650.php and fill out a form to give a teen in need a Merry Christmas. Those that donate and sponsor a teen receive an invitation to this private function.

Anchorage Night Out would like to thank Lawren Young Photography and Nicole Mosman of Z3 Photography for their Turquoise Boy shots! Thank you so much!

Jeremie plays bass guitar in Anchorage rock band Robots Helping Clones and is an Assistant Editor at Anchorage Night Out. You can reach him at bands@anchoragenightout.com.

Feel free to leave your comments below!

HTML Hit Counter

12/09/2011 - A December filled with holiday joy and festivities at Alyeska Resort

Fri, 09 Dec 2011 08:00:00 GMT

December 9, 2011 (Girdwood, Alaska) - Alyeska Resort is hosting holiday activities and special events with local families in mind. From special dinners to the much anticipated holiday night-skiing schedule, there is much to celebrate in the month of December.

The North Pole has sent word that Santa Claus will arrive at Alyeska Resort on Thursday, December 22, 2011 at 7:00 PM. Santa will be taking photos with the kids and enjoying holiday cookies, beverages and holiday spirit. Parents can drop off presents on December 20, 21 and 22 until 4:00 P.M. at the front desk of The Hotel Alyeska. Please call 907-754-1111 to make arrangements or with any questions.

The holiday night-skiing schedule starts December 17, 2011 and there will be night-skiing daily through December 30, 2011. Please note, night-skiing will not be open on Saturday, December 24 2011. Night-skiing includes access on the Tram, Chair 1 and Bear Cub Quad from 4:00 to 9:00 PM. Night-skiing tickets are $40 for adults, $35 for students/seniors (60-69)/military, and $25 for children ages 6 to 12.

Take advantage of a rare opportunity for free skiing on Friday, December 23, 2011. All guests who wear a complete Santa suit (hat, beard, pants and jacket) can redeem a free lift ticket valid for December 23, by visiting any Alyeska Ticket Office.

The perfect gift for winter enthusiasts is an Alyeska Gift Card. The gift cards can be used throughout Alyeska Resort at restaurants, shops, The Spa at Alyeska, as well as on lodging, ski passes, etc. Gift cards are available online or by calling 907-754-2108.

Alyeska Resort representatives will also be available at the Alyeska Resort Holiday Booth located at the Fifth Avenue Mall. Guests can purchase select Alyeska logo gifts and gift cards at the booth. The booth will be open daily from noon to 6:00 P.M. from December 10 through December 24, 2011 located between Sullivan's and the AT&T Store.

Holiday Feasts

To celebrate another long-standing holiday tradition - overindulgence of good food - the resort is also offering a variety of special dining events at select restaurants. There are new winter menus in a number of dining spots including the Sitzmark Bar & Grill, Aurora Bar & Grill, and Seven Glaciers Restaurant. In addition, Sakura Restaurant, featuring Asian-inspired dishes and hand-rolled sushi, opens for ski season on Friday, December 16.

Seven Glaciers is located at the top of the scenic aerial tram, about a five minute ride. With advanced reservations, guests dining at the restaurant receive a complimentary tram ride. For the holiday season, the restaurant is open daily during the holidays serving lunch and dinner from 12:00 P.M. to 9:00 P.M. between December 16, 2011 and January 2, 2012. Regular hours resume in January 2012 when Seven Glaciers will be open for lunch and dinner on Fridays through Sundays.

Seven Glaciers Restaurant, winner of the AAA Four Diamond Award and Wine Spectator Best of Award of Excellence, is serving a special holiday-themed Chef's Tasting Menu from the kitchen of Chef Jason Porter on Saturday, December 24, Sunday, December 25 and Saturday, December 31, 2011. For the winter, the Chef's Tasting Menu includes five-courses for $79 per person with an option of paired wines for an additional charge. Reservations for Seven Glaciers can be made online at OpenTable.com or by calling 907-754-2237.

The following holiday dining specials will also be taking place at Alyeska Resort:

For families and large groups, The Pond Cafe is offering a traditional Christmas Day holiday buffet on Sunday, December 25, 2011 with four seating times: 1:00 P.M., 3:00 P.M., 5:00 P.M. and 7:00 P.M. The menu is available online and reservations can be made at 907-754-2237. Pricing is as follows: Adults ages 13 & over $38, children ages six to 12 $16, and children ages five and under eat for free (20% gratuity will be added).
The Pond Cafe will also host a special New Year's Eve Dinner Buffet on Saturday, December 31, 2011 with seatings at 5:00 P.M. and 7:00 P.M. The menu is available online and reservations can be made at 907-754-2237. Pricing is as follows: Adults ages 13 & over $38, children ages six to 12 $16, and children ages five and under eat for free (20% gratuity will be added).
The Sitzmark Bar & Grill will be offering apres ski holiday music with Sarahndipity on Saturday, December 24, 2011 starting at 3:00 P.M. This event is free and open to all ages.

Ring in the New Year

The schedule of activities leading up to New Years is filled with a variety of options. The highlight for the end of the year is the return of nationally acclaimed performers, Lez Zeppelin - an all girls Led Zeppelin tribute band. The band takes the Sitzmark Bar & Grill stage for three nights, December 29, 30 and 31, 2011 at 10:00 P.M. Tickets are $20 in advanced and $25 day of show for ages 21 and over. Tickets can be purchased at the resort ticket offices, online at AlyeskaResort.com or by calling 907-754-2275.

On the evening of December 31, 2011, the resort will put on its annual torchlight parade and fireworks show starting at 9:00 P.M. The parade consists of volunteer skiers and snowboarders in a procession down the slope creating a stunning visual effect. Immediately following, fireworks will illuminate the sky for a finale show. This event is free and open to the public. The best viewing is at the Daylodge base area. For those guests partaking in one of the holiday dinner special events on the evening of New Year's Eve, the resort highly recommends taking an earlier seating or reservation in order to accommodate the start of the torchlight parade and fire works show.

On New Year's Day, Sunday, January 1, 2012, The Pond Cafe will extend its normal breakfast service hours to 7:00 AM to 1:00 PM. The Alyeska Extreme Buffet will include select Chef's specials as a holiday treat.

About Alyeska Resort (www.AlyeskaResort.com) Alyeska Resort is Alaska's premier year-round destination featuring The Hotel Alyeska, an award-winning 304 room full-service property. Located just 40 miles from Anchorage and Ted Stevens Anchorage International Airport, Alyeska Resort is your base camp for summer and winter excursions. Alyeska Resort stands out during ski season with 650' of average snowfall annually and the longest-continuous double black diamond ski run in North America. Learn more about the resort and plan your Alaskan adventure at www.AlyeskaResort.com or 800.880.3880.

12/07/2011 - ANO BAND BLOG #4: THE YOUNG GUNS

Wed, 07 Dec 2011 08:00:00 GMT

by Jeremie Fincher

Contrary to my previous beliefs, The Young Guns are not a group of outlaw cowboys taking refuge with a kindhearted rancher. That 90s film is not even where the 'new kids in town,' got their name. The Young Guns are a force to be reckoned with in the music scene of the City of Anchorage. Unfortunately, I have yet to catch them in a live setting, but I was lucky enough to catch a three song practice they allowed me to sit in on. These jokesters are full of laughs, charisma, and talent. They welcomed us and set the mood with a few jokes when I walked in with the photographer, but then got straight to work.

(left to right: Jenni May Toro, Dustin Murr, John Cripps Jr., Ivan Molesky, and Matt Eley)

Anchorage Night Out would like to thank Mark Farnsworth for his photography work with The Young Guns.

They played three songs for me, "Little Lolita," "High Frequency," and "Shake It." I certainly haven't heard anything like it before, and I immediately fell in love with what I heard . The Young Guns are a mixture of rock, pop, and dance music, all tied up with a pretty little bow we like to call "indie." I felt a lot of 80s influence listening to the set, and contrary to the norm (with 80s music), I liked it. During the interview, the band confirmed this vein of 80s influence. Joy Division, New Order, and Missing Persons were all named as influences and fan comparisons. This combination of music genres have been done before, but not like this. This neoteric twist and the talents of this specific lineup make me want to put the label 'indie retro wave.' I don't know how terribly accurate that description is, but I would like to stress the "new" sound with a classic heartbeat. It's a delight to the senses; a few of them.

The Young Guns are a unique collaboration of local Anchorage musicians. John Cripps (lead guitar and founder) and Jenni May Toro (lead vocals) had worked together previously in The Audio, a former Anchorage rock band, whom with limited material, made a huge impression on the scene in 2010. Ivan Molesky (bass) and Dustin Murr (drums) have been a locked-down-tight rhythm section before, in former local indie band Wolf Electric. I feel like The Young Guns allow these two to open up a bit more. Last, but certainly not least, Matt Eley (guitar, keys, vocals), originally selected for bass guitar, was referred to the band through a friend, Mark Bourdon, bass player for Turquoise Boy and Historian, who was too busy at the time to audition.

The Young Guns were originally a six piece, with a full-time keyboard player. Things didn't quite work out, though, says Jenni May. "Honestly, we wanted to be a six piece, we thought it would be really cool, full sound, and it was overwhelming. We thought Liz would be happier pursuing other music."

"With six people, there are scheduling, transportation, and gear issues," says Matt.

"It takes a small team of people just to make sure I leave the house with pants on, so ..." jokes Ivan.

"It was a mutual thing." says John.

When asked what inspires the Young Guns, the resounding answer was 'Bear Tooth burritos.' "Well, that's what inspires us now, to keep going," says John Cripps. Jenni says she writes from experience, she writes from her life. She was inspired by a recent break-up, and felt the need to express this musically. She told John she needed to 'jam it out,' so they did. This is probably where the aggressive side of their music comes from. "Well, I'm writing through a breakup right now. A lot of it is angry, but it's also really poppy, so you're not gonna know!" John later joked that the Young Guns were like 'make-up sex on a guitar and a mic.'

We also talked about influences the band had. The Sounds, Interpol, The National, Metric, and Phoenix were all mentioned. Ivan joked that he "really likes Neil Sedaka." I had to look it up, and it made me laugh. http://en.wikipedia.org/wiki/Neil_Sedaka We also got on a long tangent about dialysis, Stella the dog (pictured), Sonny Bono, miniature weiner dogs, and the up-and-coming Young Guns merchandise, including panties. It was an interesting interview to say the least.

The Young Guns have long term plans for recording an album with Twisted Penguin Productions, a Spenard-area recording studio, but have another secret agenda. "We're going to record a demo or two in, what a couple weeks?" asks John. "We're gonna record before we record, ya know?" They started recording in early December in a 'clandestine location.' Very top secret.

"We've got the intention of recording the best demos that we can in the next couple of weeks. We don't want to rush the recording, but we need media. We have to have something so people know what we actually sound like before they come see us." Matt Eley explains.

Dustin chimes in, "We have a lot of Facebook likes for absolutely no reason, other then we've asked our friends to 'like' us, and they trust us. We're also bribing them with dinner. It's Marketing 101. I'm all for it." The Young Guns have devised a system of social marketing. They've used the order of their Facebook 'likes' to determine each fan's "Young Gun number." For example, I'm Young Gun #56, and damn proud of it. This band loves giving things away, and they have decided to give away a date with the Young Guns. When their Facebook page reaches 500 'likes,' they are going to pick a random Young Gun number and take that lucky fan out for dinner and drinks. The band likes to socialize, anyway, after their band practice, so they figured they'd get to know a lucky fan.

Go to www.facebook.com/younggunsak and make sure you 'like' their page and enter to win!

The Young Guns are focusing on the demo and recording, and playing a few more shows here in town before planning a tour, but they said they would be interested in plotting an in-state tour with a local band or two. "Fairbanks to Homer," speculates Dustin Murr. If you and your band are interested, contact the Young Guns on their Facebook page.

These last two photographs were lent to us by Joel Adams Photography, and are from the recent "12 Days of Christmas Pub Crawl" at the Anchor Pub & Club. This concert, themed "Nine Ladies Dancing," was part of a huge co-operative fundraiser for "Pump Up The Kids," assembled by Collaborative Minds, a local non-profit aspiring brainstorming group. Twelve businesses downtown worked together to raise over $5200 dollars for these kids. There is still time to donate, so please go to http://www.947kznd.com/pages/11403650.php and fill out a pledge sheet for one of the kids on their list. Also, check out Anchorage Night Out's blog entry on Pump Up The Kids, just click the next picture!

Remember to scoot over to their Facebook page and give them a 'like.' They'll like you back, and they might like you enough to take you out to dinner and drinks. They might even make you famous. In fact, on January 21st, the Young Guns will be playing a show with Shy Bones, The Sweeteners, and Alex The Lion. If they've reached 500 likes, they will make one lucky fan "famous" and announce the winner of the "Date with the Young Guns." You may have to be present, at the show, to win. Come show this new group some love, get some love back!

Jeremie plays bass guitar in Anchorage rock band Robots Helping Clones and is an Assistant Editor at Anchorage Night Out. You can reach him at bands@anchoragenightout.com.

Feel free to leave your comments below!

Free Web Counter

11/29/2011 - ANO BLOG ENTRY: Fatguy's PUMP UP THE KIDS Christmas Charity

Tue, 29 Nov 2011 08:00:00 GMT

by Jeremie Fincher

Every year around the holidays, the State of Alaska and the Office of Children's Services (OCS) sees a huge influx in the number of children placed in foster care. Wintertime in Alaska can be brutal for low income families, and unfortunately, those children feel the effects of the stinging cold, fleeting light, and long duration, and when they are removed from their homes to insure their safety and well being, these times can be traumatic and painful. There are numerous alcohol related incidents around this time of year, amongst other things like economic hardship and family deaths, that force the State to intervene in the upbringing of these children. There are State-run and private programs that cater to helping these children, and lessening the sting of being away from their loved ones during the holidays. Toys for Tots, among many others, is a great example of this. These are wonderful programs, and support of these programs is heavily encouraged, but there is a local program that is special, and it's making some waves.

Pump Up The Kids is a charity program that started sowing it's roots during the Holiday Season of 2010. It focuses on children in the State of Alaska's Foster Care System, but specifically, the kids that are overlooked the most, teenagers. Children ages 12-19 in the system are often lucky to have a warm bed and roof over their heads in the winter months. This program was created to give these kids a bit of holiday joy. Some of these teens in the foster system have been in since they were infants, and will be in the program until they come of age to move out on their own. These kids often never get to experience holiday celebrations, or have ever been asked, "What would you like for Christmas?" This program aims to change that.

Fatguy, as Anchorage knows him, is the Program Director for 94.7 The End, our local alternative rock radio station, and creator of the Pump Up The Kids charity. In a recent interview, I asked him where the inspiration for Pump Up The Kids came from. "It comes from the heart for me, because I was in foster care from 8 years old until I was 16 when I got emancipated. I was never asked what I wanted for Christmas during that time, and I thought it would be nice to do that. Last year, my sales department came to me and said 'These people wanna do a toy drive for the foster kids.' I said 'That's awesome, but what about the teenagers? Teenagers don't play with toys... Let's tell people to donate toys to the client location, but lets also ask the kids what they actually want.' I got with the State of Alaska's Office of Children's Services and said, 'Hey I wanna take care of the teenagers this year.' I asked them for a list of three to five things from the kids. Not that they needed, but things they actually wanted."

"These are kids that range from twelve to nineteen years old, and are in foster care, or are just getting out of foster care and having to moving out on their own. Some of these kids are pregnant, or have kids themselves, and they need help getting established. Once you get out of foster care, for these 18-19 year olds, there is nothing out there for them. We want to make sure they get taken care of as well." In 2010, approximately 80 kids got everything on their list. This program was such a success, Fatguy decided to do it again this year, and gave it a name. It was donned "Pump Up The Kids," and this year, has a lot more gusto behind it. It's a good thing too, because this year, the number of kids in foster care has grown considerably.

"144 kids are enrolled now. The thing is, and this was evident last year when we started with about 40, right around the holidays, the placement rate for foster care just about quadruples. I expect 180 lists from kids by the time we're done. The foster workers have lists ready, too, so if the kid gets placed last minute, we still help them... Also, with Pump Up the Kids, you have an opportunity to get to know the kid a little bit. I don't just give you the things they want, I send you the entire form the kid filled out, in their own handwriting, telling a little about themselves."

Last year, Fatguy and his wife spent about $1500 personally, because there were lists leftover. This inevitability has been prepared for this year, however. Geico, a major sponsor for PUTK, has donated a sum of money to help defray these end costs. It will be possible, soon, to go into any Geico office in the state of Alaska and pick up a list or donate money.

Also, a fundraiser event has been created by Collaborative Minds and Family Tree Presents called "The 12 Days of Christmas Pub Crawl," that is aimed specifically at raising money for this event. Twelve different Downtown pubs, restaurants, and businesses have stepped up to participate. Each venue will be holding their own events, a silent auction, in-house donation collecting, and decoration themes that tie in with the familiar holiday song "Twelve Days of Christmas." For example, Humpy's Alehouse will be having a ring toss contest, as their "Day of Christmas" is Five Golden Rings. The Avenue will be holding Pear Vodka drink specials and live music/DJs for A Partridge in a Pear Tree. The Anchor, home of Collaborative Minds, will have three live bands, including new local band The Young Guns.

GCI has donated 50,000 Airline miles for the winner of the Pub Crawl contest. Every Pub Crawl Patron will collect a stamp from each location. All completed Pub Crawl sheets will be placed in a drawing to win the Airline miles. Also, special T-shirts will be sold at each venue, donated by Odom and Patron. This Pub Crawl will take place on Saturday, December 3rd, and will hopefully have a huge turnout to help these kids. Sarah Pederson with Family Tree Presents still needs volunteers for the Pub Crawl. If you can help, e-mail her at sarah@familytreepresents.com.

I asked Fatguy how people can get involved and help 'Pump Up The Kids.' Here's what he had to say: "They can go to our website, www.947kznd.com There is a banner on the main page, read the information, and then shoot me an e-mail requesting a list (or two). You can even ask to shop for a boy or girl, and depending on availability, I will get it to you... Also, I really encourage businesses to get involved in this, and if any businesses want to help get involved and contribute, I don't mind giving them love on the air. I know it's hard for bars to get involved, because it's kids, etc... but there's nothing wrong with picking up a list and sponsoring a kid. We're also doing gift bags for the kids as well on top of their requested items. If businesses are interesting in giving me anything for the gift bags or just want to donate cash, you can come into Alaska Integrated Media's office at 4700 Business Park Blvd, Building E, Suite 44-A and make cash, check, or credit card donations. Tax write-offs are encouraged."

Fatguy also says "We're doing an invite-only party, at the end, this year, on Dec 17th. Anyone that helps with Pump Up The Kids will get an invitation. You can watch these kids opening their presents, etc. A lot of people last year asked if they could be a part of that aspect, so we're doing that this year." Monolith Agency has sponsored the party and The Venue has put up the money for the space. It will remain an undisclosed location as, with children, that information can be sensitive. laVoy, Turquoise Boy, and Noise Brigade will be the evening's musical entertainment. Peppercini's Deli and Red Bull are catering the event.

In closing, I would also like to stress that Fatguy's "Pump Up The Kids" Charity program isn't just helping kids under the care of the Municipality of Anchorage. This benefits all teenagers in the foster care system in the State of Alaska. This is a huge benefit and deserves a lot of attention. This season, give to a toy drive, for the little kiddies, but be sure to Pump Up The Kids that are often forgotten. Sponsor a teen this Christmas, and be sure to hit the Pub Crawl on December 3rd to do your part. For more information about the Pub Crawl, search for the Facebook public event "12 Days of Christmas Pub Crawl" or go to http://www.facebook.com/events/139601856145986/ and invite all your friends. For more info about Pump Up The Kids, go to www.947kznd.com.

Jeremie plays bass guitar in Anchorage rock band Robots Helping Clones and is an Assistant Editor at Anchorage Night Out. You can reach him at bands@anchoragenightout.com.

Feel free to leave your comments below!

HTML Hit Counter

11/28/2011 - Alyeska Resort presents new ski, snowboard and snow machine films...

Mon, 28 Nov 2011 08:00:00 GMT

Alyeska Resort presents new ski, snowboard and snow machine films from the top names in the Industry

November 28, 2011 (Girdwood, Alaska) - Alyeska Resort's Snow Film Series, now in its third year, features the best ski, snowboard and snow machine movies in the industry every other Wednesday night in the Sitzmark Bar & Grill.

The next films in the series on November 30, 2011, showcase two legends of the snowboard industry. Standard Film's TB20 is the twentieth installment of the Totally Board series, which helped pioneer big mountain snowboarding and revolutionize action sports movie production. Absinthe Film's Twel2ve follows twelve riders redefining the limits of what is possible in a snowboarding film. Tickets cost $5.

Alyeska Resort and Wild Alpine have teamed up to present Teton Gravity Research's classic film Continuum and this year's offering One for the Road. Proceeds from ticket sales benefit Chugach National Forest Avalanche Information Center. Local band, Midnight Sun Zombies, a four-piece string band, will play live music. The event is scheduled for December 14, 2011 and tickets cost $10.

Snow Film Series kicks off the New Year in full snow machine power mode on January 4, 2012. The double feature of Sledneck's XIV and Hybrid Color Film's Red Sunday features groups of professional freestyle snowmobilers who perform motor cross style tricks for crowds of snowmobile enthusiasts, including crowds at Alyeska Resort every spring. Tickets cost $5.

Telluride Mountainfilm on Tour comes to the Sitzmark on January 18, 2012. The evening features short films hand-selected from the famous Telluride Mountainfilm Festival, currently in its 34th year. A selection of films from the festival is taken on the road to reach audiences who otherwise wouldn't have a chance to experience the festival. Those films display themes of adventure, mountaineering, remarkable personalities and important environmental and social messages. Tickets cost $10.

Ski industry icon Warren Miller's Like There's No Tomorrow has its Girdwood premier on February 1, 2012. Warren Miller has been reminding people the winter is on its way for the last 60 years and this year's offering features Chris Davenport, Daron Rahlves, Colby West, Julia Mancuso and more.

The Ski Channel's Film Fest Tour has grown exponentially in the last few years. Showing their 2010 and 2011 features The Story and Winter, on February 15, 2012, these are extraordinary travels around the world that delve into the lives that built and continue to build the great American pastime and sport of skiing. Tickets $5

The freeride scene is immortalized on February 29, 2012 in a double feature night. Poor Boyz Production's The Grand Bizarre features top freeride and park athletes in amazing locales. And, Oakley's Ordinary Skier puts legend Seth Morrison on the big scene in a whole new light. Tickets cost $5.

Tickets for the Snow Film Series at the Sitzmark can be purchased in advance online at www.AlyeskaResort.com, by calling 907-754-2275 or by visiting any Alyeska Resort Ticket Office. Movies start at 7:00 P.M. and are open to all ages. Minors must be accompanied by a legal guardian.

11/27/2011 - ANO BAND UPDATE: THE HOONS IN PORTLAND (and the Kickstarter!)

Sun, 27 Nov 2011 08:00:00 GMT

THE HOONS IN PORTLAND (and the Kickstarter!)

by Jeremie Fincher

I would like to begin by stressing my unbiased love for this band. I hadn't known The Hoons like many do, as friends and colleagues. I was a "late-bloomer" in the Anchorage music scene, and I'd never met any of them or seen the band perform until the A&R Showcase in May of 2011. When they replaced their drummer with Evan, from local metal band Armada, the Hoons caught Anchorage by storm, but of course, only the parts of Anchorage that weren't already in love with them. These guys were THE band in town.

Photo by Shalem Mathews Styled by Geneva Cowen

Because of their popularity here, and Anchorage being so far off-the-grid, and a gentle nudge from the A&R Reps, they knew they had to go. Everyone else knew it, too. It wasn't long after the Showcase that The Hoons announced they were moving to Portland. They were going to record an album and play shows on the West coast. They are fulfilling their promise, and here are the details:

Here it is, November 2011, and Anchorage is sans its favorite band. The city of Portland, Oregon holds our boys captive. The Hoons spent 77 hours on the road, caravan-style with two rigs, driving 16 hour shifts and sleeping two hours at a time. Their report from the road was, and I quote, pure hell. They have set-up shop in a giant house, and got settled quickly. They are one big family.

[From left to right: Erik Braund (Producer/Manager), Brandon Bandersnatch (Bass/Vocals), Sean Howland (Guitar/Lead Vocals)]

Their Producer/Manager/Friend Erik Braund met up with them about a week later, who conversely, had a wonderful flight from New York. Erik flew in, and will be staying a total of 12 days, because the boys' first goal is recording an album. They've set up shop at Supernatural Sound Studios. The first couple of days, they made great headway, and almost completely knocked out Evan's drum tracks, so he was at home relaxing, enjoying the lovely Pacific Northwest weather, at the time of this interview. Of course, that "lovely" weather happened to be rainy drizzle the day of our interaction on Skype.

Brandon said it hadn't been raining the whole time, though, and he was happy to have worn shorts and a tank top in November, something us Alaskans cherish when we get to experience it. They asked how the weather was at home, and I told them about the heavy snowfall at beginning of winter. They don't miss the cold and snow, but they do miss all of you, and asked me to pass the word along. They're also asking for your help, and the Hoons have enough love here at home, I think they're goal is totally possible, with a little help from their friends.

The Hoons have started a Kickstarter campaign to raise money to finish recording their album. They're in an amazing studio that will allow them to sound as amazing as they are, but it costs a pretty penny. The Hoons have raised about 1/3 of what they need to finish. Fan fundraising is a common tool used these days to defer the cost of recording and also help promote the finished product by giving back to the fans that contribute.

Check out the video The Hoons made for their Kickstarter Campaign!

The details of the fundraiser are at http://www.kickstarter.com/projects/1554758487/the-hoons-record-their-debut-album, and you should take a look and contribute, especially if you'd like your name somewhere on Brandon Bandersnatch's body. That's right, bass player Brandon has donated acreage on his body for tattoo of a few generous fans' names. This is just one of the awesome rewards the kickstarter offers, including a bonus song that isn't on the album, a Christmas song you should all watch out for, and a personal fitness training session with drummer Evan. Here's the thing: this program only works if they reach the entire goal. If they don't raise the whole amount, The Hoons receive nothing. Please help, if you can, and spread the word! Facebook, word of mouth, anything you can to do help is going to lead to these gentleman fulfilling a goal they have worked very hard for.

When the album is completely produced and pressed, the boys plan on mapping out a West Coast route and playing tons of shows. Early spring seems to be the contingency plan. Sean Howland says there is no shortage of places to play in Portland. I, personally, think the boys have made a very lucrative move. When Erik departs, in just a few days, he says they will be approx. 50% of the way through the recording process. Start getting excited, Anchorage, and spread the word about the Kickstarter. These guys deserve our help.

I also, of course, asked the question everyone wants to know. When will they be back?!? They wanted everyone to know that we'll be seeing them in late spring or early summer, 2012, and we should be prepared for an epic few days, and some amazing shows. Kevin also wants everyone to know he'll be back around Christmastime, and he's still an eligible bachelor. Ladies, be warned.

This update is a tad late, as they announced the Kickstarter a few days ago, but I wanted to get an inside scoop for us Anchoragites, as I'd heard nothing as far as Hoons' news, from anyone. I would like to thank Erik, and The Hoons, for allowing me a Skype session and interrupting their recording process for a few minutes. We miss The Hoons, and the feeling is mutual, but these gentlemen are on to doing great things, and they are representing Anchorage, Alaska in a wonderful light. Let's give The Hoons our utmost support and get this album recorded, because I cannot wait to hear it. Please don't forget, you can have your name on Brandon's hide, for the rest of his life. Need a new patio in your backyard? Check out http://www.kickstarter.com/projects/1554758487/the-hoons-record-their-debut-album. It will all be worth it.

Jeremie plays bass guitar in Anchorage rock band Robots Helping Clones and is an Assistant Editor at Anchorage Night Out. You can reach him at bands@anchoragenightout.com.

Feel free to leave your comments below!

Free Counter

11/21/2011 - Alyeska Resort opening day scheduled for Wednesday, November 23

Mon, 21 Nov 2011 08:00:00 GMT

November 16, 2011 (Girdwood, Alaska)

The mountain operations team at Alyeska Resort is preparing for opening day, Wednesday, November 23, 2011. The resort will be running the following lifts: Tram, Chair 6, Chair 4, Bear Cub Quad and both Magic Carpets for ski and snowboard operations from 10:30 a.m. to 5:30 p.m. The Mountain Learning Center and Sitzmark Bar & Grill will begin daily operations and the aerial tram will also be offering sightseeing and lunch at Glacier Express.

Early storms and cold temperatures in October and November have resulted in current snow depths of 62 inches at the top, 27 inches midway and 17 inches at the base. The resort advises skiers and snowboarders that early season conditions do exist on the mountain and all guests should use caution and be aware of obstacles. Skiers are always advised to be in control. As the resort nears opening day, announcements will be made on specific terrain that will be available to the public for opening day.

As part of the resort's preparation, the snowmaking crew has taken advantage of the clear weather, and they have been able to run 39 snow guns consistently, working crews round the clock. This early season practice has resulted in a healthy man-made base on lower mountain terrain. For the snow guns to operate, the air temperature needs be to no higher than 26 degrees Fahrenheit.

Alyeska Resort offers guests the snow hotline (907-SKI-SNOW or 907-754-7669) providing daily phone recordings with a variety of resort information. The resort encourages skiers and snowboarders to call the hotline prior to driving to Girdwood for the most accurate snow conditions and other useful information such as lift status, openings and closures of terrain, and event details.

With opening day falling over Thanksgiving weekend, Alyeska Resort will be serving its annual Thanksgiving Buffet at The Pond Cafe, located in The Hotel Alyeska at 1:00 p.m., 3:00 p.m., 5:00 p.m. and 7:00 p.m. on Thursday, November 24, 2011. The menu features traditional favorites including roasted tom turkey, prime rib, Yukon Gold mashed potatoes, pecan sweet potatoes and a variety of desserts. The price for adults is $38 and the price for kids between the ages of 6 and 12 is $16. Advanced reservations can be made by phone at 907-754-2237 or online at www.AlyeskaResort.com

Seven Glaciers Restaurant will kick off their winter season on Wednesday, November 23 when Executive Chef Jason Porter introduces his new winter seasonal menu. On Thanksgiving Day, guests dining at Seven Glaciers can select from the regular menu or from a special Thanksgiving Chef's Tasting Menu. Reservations can be made at 907-754-2237.

Alyeska Resort has partnered with several exceptional companies to help customers save on lift tickets this winter. On shelves now at Anchorage Debarr and Dimond Costco warehouse locations, Alyeska Resort is offering two adult lift tickets for $95.99, a savings of 20% off regular adult ticket prices. The same offer will be on www.Costco.com later this month. Alyeska Resort has also partnered with Liftopia.com for a second season. Customers can find discounts on daily adult lift tickets. A select amount of lift tickets are made available each day, so customers are encouraged to check the website often to find the best savings.

Warren Miller's new ski movie Like There's No Tomorrow is scheduled for its Anchorage premiere on Thursday, December 1, 2011 at the Alaska Center for Performing Arts. There are two showings at 6:00 p.m. and 9:00 p.m. With every paid entry, there is a coupon for a FREE Alyeska Resort midweek lift ticket.

About Alyeska Resort (www.alyeskaresort.com) Alyeska Resort is Alaska's premier year-round destination featuring The Hotel Alyeska, an award-winning 304 room full-service property. Located just 40 miles from Anchorage and Ted Stevens Anchorage International Airport, Alyeska Resort is your base camp for summer and winter excursions. The resort is within close proximity of three national parks and the Kenai Peninsula, and is home to the northernmost temperate rainforest, part of the Chugach Mountains. Alyeska Resort stands out in ski season with 650' of average snowfall annually and the longest-continuous double black diamond ski run in North America. Learn more about the resort and plan your Alaskan adventure at www.alyeskaresort.com or 800-880-3880.

11/11/2011 - Sales Reps Needed Immediately!

Fri, 11 Nov 2011 08:00:00 GMT

Anchorage's fastest-growing website for nightlife and entertainment is looking for area sales reps to start immediately.

AnchorageNightOut.com is an online entertainment & nightlife guide featuring daily events, dining and drink specials, live music venues, and a comprehensive directory of bars, restaurants, bands and entertainment. We're now seeking sales representatives to start immediately!

The ideal candidate will have prior sales experience (advertising sales preferred), a passion for the Anchorage area, and be willing to work as an independent contractor on 35% commission of all sales made PLUS a 5% bonus with goal. Laptop and mobile wifi is recommended.

If you think you have what it takes, reply to info@anchoragenightout.com with an attached resume and/or references, and please put "Sales Rep Position" in the subject line. Any correspondence deviating from this format will be automatically deleted. We look forward to hearing from you!

AnchorageNightOut.com

11/09/2011 - ANO BAND BLOG #3: THE SWEETENERS

Wed, 09 Nov 2011 08:00:00 GMT

ANO BAND BLOG #3: The Sweeteners

by Jeremie Fincher

There are some serious health risks associated with the use of Aspartame and other artificial sweeteners. Anchorage Night Out recommends you select all natural cane sugar, honey, agave nectar, or perhaps the November Homegrown Artist of the Month to sweeten your hot beverages or cereals. To accompany your eggnog and fruitcake, KZND has brought you a tasty treat in perfect time for the eminent Holidays.

The Sweeteners are three young men, hailing from the same community in the musical landmark of Aberdeen, Washington. These three musicians and friends have similar life paths and influences, all culminating in the present, of course, here in Anchorage, Alaska under the guise of a rock band. The Sweeteners are a cornucopia of rhythms, inspiration, tones, textures, and musical phrases we've all known and loved for years, with a new, fresh face and unique twist. Their music is everything one could love about blues, pop, and rock delivered with thoughtful and familiar discourse from capable musicians.

Click here to view The Sweeteners' Facebook page:

"We all went to grade school together," Mark Nelson, bass player and backup vocalist, remarked when I asked the band how they met. Mark is a true rock bass player, in style and technique. His playing is sleek and classy, with carefully selected and timed effects and dynamics. Eric Neet, drummer, adds to Mark's answer, stating that the two played on the same football team. These gentlemen make a fantastic rhythm section. They are solid, expressive, and rehearsed. Eric is extremely tight and structured behind the drums. Quite impressive for someone who doesn't think he's a drummer. Eric is actually at home on the guitar, and jokes that he doesn't even own his own set. Luckily, he's got a guitar player and frontman, Chad Reynvaan, that is convincing enough to make Eric to play the role. Chad says when he heard Eric play drums, he knew was a drummer, and he was going to make him put the guitar down so he could focus on drums.

"Yeah, but it was a girl's flag football team..." Chad chimes in on the previous statement with a cleverly timed joke that sets the mood for the rest of the interview and erupts the room in laughter. I have known Chad Reynvaan as a solo act for almost year now. I've seen him at Tap Root a few times, and his solo act is completely different from The Sweeteners gig. It reminds me of an artist removed from their element, like a young Bob Dylan on the road, away from the Village. "I write all kinds of songs and I like to perform them. Sometimes I like to fingerpick and write folk songs, but I really love to rock out with my band and I'd really rather do that more often if I had the choice." The differences in genre between the two acts are pretty astounding, and it even bleeds through in apparrel choice. Solo, he's got a hip, reserved, intelligent facade, and that personality comes out in his music. The group project is a different story.

Click here for The Sweeteners' profile on www.AnchorageNightOut.com!

The Pack Rat is an interesting local business where one can find all sorts of treasures, or in the case of the infamous tassle shirt, where the treasures can find you. I saw the Sweeteners for the first time, also at Tap Root, for the Monolith Agency Showcase. Chad was wearing this white or cream-colored tassle shirt that was straight Elvis Revival, minus the sequins and rhinestones. It was pretty impressionable, as it caught my eye immediately and piqued my interest before the music had started, a worthy tactic in a small music community like Anchorage. "I've always held the motto the band has got to look better than the people they're playing for. You get four guys in jeans and T-shirts, it just doesn't have the same effect." says Chad. "Loud rock and roll kind of allows you to more easily fit a different persona and not feel so weird about it."

The boys have a few musical philosophies they uphold that attribute to the tones and styles you hear coming from them. "We love our gear, we're junkies. Pre 1980s, tube-powered, vintage gear." Chad has hand-built or modified all of the guitar pedals he uses to make them heavier, bigger, and more 'rock and roll' than you can buy off the shelf, and both him and Mark are working on their collections of vintage guitars. Eric also holds a minimalist view toward drumming. "I go as simple as possible on the drums. If you get too carried away or overly-creative, it kind of takes away from the simplistic sound we're going for. You won't see me with any splashes or chinas, or double pedals, just very stripped down..."

As far as recording, the same rules apply for The Sweeteners. Simple, concise, and vintage. "All the records we grew up with and we love, they were all made with this older gear, so that's the sort of gear we oughta be using. I mean, that was kind of the high point, as far as recorded music goes," says Chad.

They don't even plan on using click tracks. They rehearse enough that they can "go into the studio, play in front of microphones, and have that be the recording. It's still got enough personality, yet also tight enough, that it's probably the way we're gonna do it in the future. Just go in there and shred and put it out on record."

For three boys from the Pacific Northwest that grew up playing in punk bands and listening to good old rock and roll, the origins of their music are quite apparent. "I think we're really bringing some guitar rock and heavy influences that a lot of people aren't hearing outside of the metal scene. Not that we're a metal band, but I think we're exposing more people in the mainstream clubs to a heavier sound that they might not normally hear." They even throw a groovy instrumental in the set, here and there.

These boys are a delight to catch live. In fact, this Friday, November 11^th, The Sweeteners perform with Emma Hill and Evan Phillips at...surprise! suprise! Tap Root! Music starts at 8 PM and The Sweeteners go on at 11:00 PM. Also, look for another big Monolith Agency production near the Year's End. The Sweeteners will be headlining an entire weekend at the Sitzmark filled with amazing local indie rock.

KZND will be hosting an Artist of the Month Party at Chilkoot Charlie's for The Sweeteners on November 26^th. The Young Guns and Ghost Hands will be there in full support. You have plenty of opportunites to see this band live in the next month, and I suggest you do so. Get a little sugar in your life, with The Sweeteners.

Jeremie plays bass guitar in Anchorage rock band Robots Helping Clones and is an Assistant Editor at Anchorage Night Out. You can reach him at bands@anchoragenightout.com.

Feel free to leave your comments below!

a href="http://www.e-zeeinternet.com/" target="_blank">
Free Counter

11/07/2011 - Pump Up The Kids

Mon, 07 Nov 2011 08:00:00 GMT

Every year around the holidays you are more then likely asked...

“What would you like for Christmas?”

For teenagers in the Alaska foster care system that is not a question that is asked very often. 94.7 The End and the community are working to end that with Pump Up The Kids.

Last year Fatguy (who himself was a part of the foster care system as a youth) started a program that gave teenagers 13-18 the chance to tell him what they wanted for the holidays. Fatguy and his listeners with the help of other radio stations at Alaska Integrated Media rallied together to make sure that all 86 kids got EVERY SINGLE THING that they asked for on their Christmas wish list. This year the number of kids has doubled and we are motivated to make sure that all 144 teenagers have a real Christmas.

The State Of Alaska has given all 144 teenagers a form to fill out asking them what they want for Christmas. Then will then come back to KZND and Brock & The Fatguy and they will then ask the community to “adopt” these kids and get them what they asked for on their list. Last year it ranged from art supplies to Xboxes to clothes. One of the teenagers told her case worker that never in her life had she been asked what she wanted for Christmas. That girl was pregnant and asked for cooking utensils so that she could cook for her child. She got more then she could have imagined and couldn’t stop crying tears of joy when they delivered her gifts.

Help us brighten the lives of teenagers across Alaska by making their holidays special. Help us Pump Up The Kids. We are looking for you our listeners and friends to “adopt” a kid by taking on one or more of their wish lists, Donations of Money (to help buy presents for the kids at the end that we weren’t able to get adopted), or donation of products that we could put in gift bags for all the kids.

We know that times are tough and we appreciate anything that you can do to help because these are really the kids that are not taken notice of around the holidays. The little kids are always first to pop up in our minds and have awesome programs like Toys for Tots taking care of their needs and we encourage you to donate to that program because it’s amazing what they do, but don’t forget about the teenagers in the Foster Care system that not only don’t expect a Christmas, but don’t even know who to ask for one.

For more information please feel to call (907-433-3113) or email Fatguy and thank you for taking the time to read this and anything you can do to help would be amazing.

December 3, 2011 Collaborative Minds and Family Tree Presents are putting together a "12 Days Of Christmas" Pub Crawl downtown to benifet "Pump Up The Kids". There will be a silent auction with autographed gear from bands, gift baskets, and more to bid on with all the money going to buy presents for the Foster Teens. More info coming soon and if you are interested in helping with the pub crawl or donating for the auction please email Sarah Pederson.

On Saturday, December 17th we are going to throw a Christmas party for all the teens thanks to our friends at Red Bull, Peppercini's Deli House and The Monolith Agency and all that attend this private event (we will give invites to those who are interested) will get their gifts and get to see a free rock show featuring Noise Brigade, Turquiose Boy and More To Be Announced Later.

11/02/2011 - ANO REVIEW: SNO WHITE HALLOWEEN MASSIVE

Wed, 02 Nov 2011 08:00:00 GMT

ANO REVIEW:

Sno White Halloween Massive by 'A Dose of Know-How'

written by Jeremie Fincher

The Egan Center had an unbelievable turnout on Friday night. The "Sno White Halloween Massive," put on by local promoter 'A Dose of Know-How,' sold out the event arena- 1800 tickets. The Halloween party of the year lived up to its name almost immediately. Massive. This incredible demonstration of professional promotion blew me away. Three giant rooms full of brain-vibrating sound, psychedelic lights and lasers, and barely dressed, or strangely dressed, grinding, flashing, pulsing, sweating bodies. The feature and theme of the evening was Sno White, a female dubtrip DJ from Texas, who put on an amazing show on the main stage, 'The Castle.' There were also two live acts (Contact was fabulous), and an array of local DJs. The other two rooms, 'The Woods,' (21+ bar and wooded theme) and 'Dubstep Dungeon,' were equally entertaining.

I could tell this party was a promotion MONSTER as I approached the Egan Center. It looked like the Egan's Beer and Barley-wine Festival, lined up around the block, except everyone was in costume, and a good 65% of them weren't old enough to drink. (I personally thank the promoter, in light of the latter observation, that there happened to be a bar/beer garden.) Apparently, a whopping seven months worth of word of mouth and social medium promotion, radio advertisement support, and 10,000 handout flyers pay off.

Click here to check out "A Dose of Know-How's" Anchorage Night Out Profile:

I figured for sure I would feel completely out-of-place amongst dozens of flush-skinned children, slobbering on pacifiers and ring-pops, but I had an easy enough time loosening up. The under-agers, saucer-sized pupils and flashing and blinking like robots, were all strictly enforced to a curfew. If you were under 18, and you were out the door by 1:00 AM, enforced by an ID check and corresponding wristband issued at the door. Age enforcement was handled professionally and courteously when it came to the curfew, and also alcohol. Some kid snuck into the Beer Garden early on, got busted, and was politely asked to leave the venue. (Don't break the rules, dude.)

The rooms were each themed, and minimally, but tastefully decorated. It seemed the focus of the evening was the music. There was plenty to see, anyway, with the attire that showed up in light of the holiday. (My favorite costume of the evening was a Na'vi from the movie Avatar.) The main stage, The Castle, had 500+ people dancing their asses off at any given time, and that is probably a conservative guess. This was the most decorated room, as it had a screen for visuals, lasers, an elaborate 'castle' set-up for the DJ tables, and an elevated dancing stage that displayed a handful of dancers at a time.

Click here to watch the Preview Teaser for the Sno White Halloween Massive:

I found myself occupying 'The Woods' more often than not. The 21+ room had a few hard-at-work, friendly bartenders, a lighter volumed dance atmosphere, and was a breath of fresh air. It seemed like the place to do any sort of socializing as an adult, as the hallways of the Egan were filled with minors, and the other rooms were far too loud to carry on any oral communication. You know the kind of darkness where you cannot see your own hand in front of your face? These rooms were so loud, I couldn't see anything at all, because my eyeballs were vibrating inside their sockets. It was an exhilarating experience. I've never felt my bones vibrating before.

The downstairs room, the Dubstep Dungeon, had a large congregation outside its doors. A flock of video game characters, animals, ninjas, pirates, etc. wreaking of Vicks Vapor Rub and chugging bottled water. Some were sprawled on the carpet, or in mass group-hugs. It was a truly bizarre sight. And mirror, mirror on the wall, the Dubstep Dungeon was the loudest of them all. It was also felt the most tightly packed. Even though the dance thing was never my scene, this place made me feel 18 again.

Sno White's performance stood out amongst all the DJs that night. There was a reason 'A Dose of Know-How' signed her. There had to be 1000 people dancing during that set. She was pulling off some crazy sounds on top of some heavy beats, and full-on dancing behind the tables while she did it. What a sight! My brain was warped by the dubstep massacre that ensued. This was not to say there wasn't some terrific music besides the Lady of the Evening. Clint Samples and Clever Disguise were my favorite local DJs showcased. Also, a shout-out to Darrin Huycke, who was elemental in orchestrating everything as stage manager. Good job, buddy.

Another Egan show has been announced for March 10th, 2012. 'SPiN' featuring Matt Darey, StoneBridge, EC Twins, & a special surprise guest headliner, is sure to be a sell-out success. Look out, Anchorage. 'A Dose of Know-How' knows how to throw a party.

Click here to view ADK's next Egan Center event "SPiN - Spring Massive":

Jeremie plays bass guitar in Anchorage rock band Robots Helping Clones and is an Assistant Editor at Anchorage Night Out. You can reach him at bands@anchoragenightout.com.

Feel free to leave your comments below!

HTML Hit Counter

10/25/2011 - Sno White Halloween Massive

Tue, 25 Oct 2011 08:00:00 GMT

Sno White Halloween Massive

An electronic dance music concert this October, 28th
projected to pull up to 2,000 attendees.

A Dose of Know-how, one of 17 licensed and bonded concert promoters in Anchorage, produces an annual Halloween party which sold out "Alice" at the Cell One Sports Pavilion in 2010, without a bar. One year later the attendance is expected to sell out a larger, more upscale venue; the Egan Center.

Featuring three fully decorated and themed rooms on two floors packed with entertainment: The Castle - Main Room
Dubstep Dungeon - Downstairs
The Woods - Full Bar (for 21+)

Out of state DJ Sno White (#1 Female DJ in Texas)
2 Live Acts
Local DJs

Advertising:

10,000 hand to hand flyers
Radio campaigns on KZND & KFAT
Social media push with 7 months lead-time
Incredible word of mouth presence

About A Dose of Know-How

A Dose of Know-How is dedicated to bringing outside entertainment to Alaska with a special focus on maintaining our record of 100% safety of patrons and the soundness of rented spaces. ADK has risen to become an industry leader recognized statewide by providing consistently high quality events. Alaska ought to be a leader in the international dance music community and we have been striving to produce the caliber of events which can turn that potential into a reality since Halloween, 2007.

10/10/2011 - Presidential Proclamation - National Arts and Humanities Month, 2011

Mon, 10 Oct 2011 08:00:00 GMT

BY THE PRESIDENT OF THE UNITED STATES OF AMERICA A PROCLAMATION Norman Rockwell's magazine covers are classic and recognizable portrayals of American life. A longtime advocate of tolerance, Rockwell was criticized by some for a painting now hanging steps from the Oval Office - The Problem We All Live With. Inspired by the story of Ruby Bridges, this painting depicts a young girl being escorted to her newly-integrated school by United States Marshals. Today, the portrait remains a symbol of our Nation's struggle for racial equality.

Like Rockwell's painting, art in all its forms often challenges us to consider new perspectives and to rethink how we see the world. This image still moves us with its simple poignancy, capturing a moment in American history that changed us forever. This is the power of the arts and humanities - they speak to our condition and affirm our desire for something more and something better. Great works of literature, theater, dance, fine art, and music reach us through a universal language that unites us regardless of background, gender, race, or creed.

Millions of Americans earn a living in the arts and humanities, and the non-profit and for-profit arts industries are important parts of both our cultural heritage and our economy. The First Lady and I have been proud to honor this work by displaying American art at the White House and by hosting music, dance, poetry, and film performances and screenings. The President's Committee on the Arts and the Humanities, along with the National Endowment for the Arts, the National Endowment for the Humanities, and the Institute of Museum and Library Services continues to recognize the skill and creativity of American artists, historians, and philosophers while helping educate and inspire our children through the power of the arts and humanities.

We must recognize the contributions of the arts and humanities not only by supporting the artists of today, but also by giving opportunities to the creative thinkers of tomorrow. Educators across our country are opening young minds, fostering innovation, and developing imaginations through arts education. Through their work, they are empowering our Nation's students with the ability to meet the challenges of a global marketplace. It is a well-rounded education for our children that will fuel our efforts to lead in a new economy where critical and creative thinking will be the keys to success.

Today, the arts and humanities continue to break social and political barriers. Throughout our history, American hopes and aspirations have been captured in the arts, from the songs of enslaved Americans yearning for freedom to the films that grace our screens today. This month, we celebrate the enlightenment and insight we have gained from the arts and humanities, and we recommit to supporting expression that challenges our assumptions, sparks our curiosity, and continues to drive us toward a more perfect union.

NOW, THEREFORE, I, BARACK OBAMA, President of the United States of America, by virtue of the authority vested in me by the Constitution and the laws of the United States, do hereby proclaim October 2011 as National Arts and Humanities Month. I call upon the people of the United States to join together in observing this month with appropriate ceremonies, activities, and programs to celebrate the arts and the humanities in America.

IN WITNESS WHEREOF, I have hereunto set my hand this third day of October, in the year of our Lord two thousand eleven, and of the Independence of the United States of America the two hundred and thirty-sixth.

BARACK OBAMA

09/17/2011 - ANO BAND BLOG #2: WICHITA SHADOWS @ The Sully

Sat, 17 Sep 2011 08:00:00 GMT

Wichita Shadows: Sully! Sully!

by Jeremie Fincher

Late afternoon, just over a week ago, I received a phone call from an associate that was the catalyst for a very interesting evening. Instead of laundry and YouTube, I was invited by AK Rhythm Magazine to attend the Godsmack show at the Sullivan Arena on behalf Anchorage Night Out. Wichita Shadows, a local Anchorage metal band, was picked, by a unique set of circumstances, to open the evening. I accepted this offer, as a night of arena metal sounded a hell-of-a-lot more interesting than the daily grind. I made my way, (via my trusty two-wheeler) to the biggest event arena in Anchorage. As I pulled off the Chester Creek Trail System and into the parking lot, I acknowledged just how big the Arena was. Here was the first milepost of the evening for Wichita Shadows. They were about to play the George M. Sullivan Arena.

Wichita Shadows is: Ryan LeBlanc (drums), Mike Albano (vocals), Matt Oberlander (bass), Damien Tserlentakis (guitar, vocals), and Alex Vonn (guitar, vocals). They are a diverse metal band, experimenting with other genres and grooves, giving them a leg up on the metal scene in Anchorage, Alaska. It doesn't hurt that they have some seriously talented members. They've opened for national acts Atreyu, Godsmack, and Iwrestledabearonce. Check them out at Anchorage Night Out:

http://www.anchoragenightout.com/bands/209971/wichita-shadows"or on Facebook.

I entered the arena with the AK Rhythm crew, and they got right to camera work. They shot Wichita Shadows' sound check at a furious rate. We were also informed that we could only shoot Wichita Shadows for 3 songs at front stage, then we had to shoot from the sidelines. This was only a minor inconvenience, as the band performed with loads of energy and enthusiasm in the first three songs, and it made for some very cool photos and footage.

Their set was ferocious, energetic, and altogether tight, musically. They played well, and showed a comradery I admired. They had terrific stage presence, overall, and were very professional. They started on time, and were off stage with a few minutes to spare. The band sounded strong and heavy. They had prepared for this gig. This gig was earned.

The band won the opening slot because 106.5 KWHL, a local rock FM station, put on a Facebook poll. This is a fairly new trick used by promoters, managers, marketing, and the like, to wage fan reaction, gather public opinion, and socially network. KWHL asked their listeners on their Facebook page a preliminary open-ended question, polling them on which local band they would like to see open for Godsmack. Three lucky local bands came out of prelims to line up for an official vote. These bands were Cry for Help, City in Ashes, and Wichita Shadows. KWHL re-posed the question, only this time, you could only pick one of the three aforementioned acts.

Wichita Shadows was victorious in Facebook-land and added another notch to their belt. Online presence has become a huge factor with unsigned musical acts and their success. Musicians and bands have altogether bypassed the record companies and become commercially successful without guidance from A&R Reps and big-time record labels. This was a step in the right direction for Wichita Shadows in that department. They proved they have enough support from fans and friends to pursue special opportunities like this one, opening for national rock act Godsmack at a huge venue.

Just after their set, basking in the glow of their achievement, they were invited by Godsmack's security guard to pass another milestone. "Guys, Sully wants to take a picture..." Sully Erna, Godsmack's lead singer, guitar player, and "guest" drummer, is the face of Godsmack. This was an absolute honor for Wichita Shadows; they were floored. AK Rhythm was invited to photograph the introduction, and as we waited outside a door marked "Sully - Massage in Progress: Do Not Disturb," I got some reactions from the band.

"It felt good..."

"We sounded big!"

"I can't believe Sully wants to take a picture!"

The boys were giddy, understandably, but as Robbie Merrill, bass player for Godsmack, walked out of the dressing room to strap on his ear monitor, the hall got quiet. Robbie finished, turned around quickly, and with a grin, waved the bunch of us into the presumed "dressing" room.

This was no dressing room, folks. They had converted a standard conference room into a VIP lounge for the members of Godsmack, the smell of burnt incense and the glow of black-lights off the tapestries were apparent immediately. There was a spread of fruit, cheese, and assorted meats on a covered table, along with what looked to be a mini-bar. The two bands immediately co-mingled and started shooting the breeze. Godsmack were hospitable and genuine; quite endearing guys.

Ryan LeBlanc and Shannon Larkin, the two drummers, got along fantastically, and even had a seperate photo taken together. Sully gave the boys huge compliments, assuring the boys they were "heavy as hell" and that he was surprised that sound came out of Alaska. He also asked Ryan LeBlanc if he could photograph Ryan's Godsmack tattoo on his right bicep. The room was full of positive energy.

Click on the logo below for Wichita Shadows' profile!

Upon leaving the VIP lounge, as showtime was being counted down while we conversed, the bands exchanged thank-yous, good lucks, and goodbyes. Everyone was thrilled, even Godsmack. Walking back down the hall, Jeff Staha, manager of WS, expressed excitement for the free drink he'd received. "Sully poured me some Patron and Red Bull!" He was holding fairly good-sized Dixie cup, full to the cardboard brim with a dark-yellow ominous liquid. He passed it around to everyone, and we all sipped in celebration. It was a Godsmack communion of sorts.

The boys watched the majority of the headliner show from the sidelines. They got to see how a functioning road-crew worked, and got to experience what it's like to play in a big venue. The security, medical team, sound engineers, and guitar/bass/drum techs were collectively incredible. They were a well-oiled machine that never missed a beat. It was a great experience for Wichita Shadows and spoke a lot to Godsmack's experience and professionalism.

With fan support, the gig was earned. Wichita Shadows played their biggest venue yet. They got to meet and play on the same stage as a huge national act. They were heard by hundreds of new people. These milestones are big ones, and the boys should be proud. I certainly felt a sense of pride for the local scene. These guys are proof that this scene is what we collectively make of it.

Jeremie plays bass guitar in Anchorage rock band Robots Helping Clones and is an Assistant Editor at Anchorage Night Out. You can reach him at bands@anchoragenightout.com.

Feel free to leave your comments below!

Free Hit Counter

09/14/2011 - ANO BAND BLOG #1: KILL TANGO

Wed, 14 Sep 2011 08:00:00 GMT

Kill Tango: Renewal

by Jeremie Fincher

I recently stumbled face-first (via Face-book, nonetheless) into a dream job. Hanging out with local musicians and artists at shows and events is undoubtedly the highlight of my working career. I could be stuck in retail hell, the janitorial arts, or filed away in a cubicle somewhere, but instead I get to spend time listening to great music, meeting interesting people, and exploring the night life of Anchorage, Alaska. Of course, as with any job, there is work to be done, and I am starting from scratch, and pure will.

I have selected local Anchorage rock band Kill Tango as my pilot article after careful consideration. Kill Tango, in it's current state, is comprised of two founding members and two recent additions. William Gibson (Bill Tango - guitar, keys, vocals), and Bryan Calhoon (lead guitar) are the only original members, surviving a "dozen-or-so" other members, and complete shut-down twice. The members conccurred on the phrase "Kill Tango Renewal" as an accurate representation of the current phase of the band. They are undergoing changes in all forms. They have scrapped a half-dozen older tunes, added new jewels to the crown, and rehashed a few favorites that die-hard fans demand they keep. Allowing me a glimpse at the new material during a recent practice, I could distinctly hear the new musical direction the band is headed, and I am fully enthralled.

Hutch White (bass guitar), and Dustin Murr (drums), are the new members, surviving a lengthy audition process. The new rhythm section is comprised of experience and flexibility, as both Hutch and Dustin have occupied spots in other diverse Anchorage bands and various projects around town, successfully so. Having the opportunity to work together musically, prior to joining Kill Tango, made it easy for White and Murr to develop a chemistry that fills out and recharges the older Kill Tango material withstanding the test of time. These two new powerhouses have opened the floodgates for creative exploration for the whole of the band. When asked what he saw in the new members, Bryan Calhoon divulged "Everyone seems a little more serious now..."

This is the reason I chose Kill Tango; they are going through changes that are reflective of my life. I can empathize from a musician's standpoint. Here in the rapidly growing music scene of South Central Alaska, when bands undergo lineup changes that are crucial to the vitality of the unit, it's typically detrimental to the productivity of said unit for a certain amount of time. Understandably so, when joining an established band with lots of material. I empathize greatly with the founding members of Kill Tango. Closely observing my surroundings, the choice to build the first "Anchorage Night Out - Band Dossier" was already made. Kill Tango would be the pioneers.

I showed up to the band's practice space, Bill Tango's converted garage, and the band got right to jamming, which made me feel at ease, displaying their professionalism and strength of leadership. The "new" Kill Tango played a private show for one (lucky me!), comprised of four original songs, two of which were rehashed Kill Tango classics, and one new special cover song. We then moved out to the lawn and into the sun for a brief interview. An audio of the interview will be available very soon. I also got some tasty footage of the practice. Check them out at: www.anchoragenightout.com/bands

Click the logo below to view Kill Tango's profile on ANO!

Kill Tango was hand-selected by local Programming Director Fatguy for a monthly Tribute Show for 94.7 The End. It's theme was a Tribute to David Bowie. The band tastefully selected their cover; They chose to perform a Bowie tune that speaks to two very different age groups of fans, which is a clever tool in appeasing the diverse taste of the patrons of Anchorage, Alaska. "The Man Who Sold The World," was picked, a tune Bowie admits having played at shows since 1994's MTV Unplugged In New York by Nirvana, and kids congratulating him on playing a "Nirvana song."

The cover was a hit, along with other gems that night, like "Fame," by Alaska Thunder Funk, "Deranged," from the Lost Highway soundtrack, covered by the Rebuttals, and The Hoon's version of "Golden Years." It was a terrific display, filled with bubbles, glam, make-up, and, of course, rock and roll debauchary. There was a silly energy floating about, and the bands had the dance floor doing what it does best. The thin white duke would have been proud.

This Tribute Show was only the second display of the new Kill Tango material since the line-up change, their debut show being Summer Haze 3, a Huycke Entertainment event. Summer Haze was originally staged outdoors at Bernie's Bungalow Lounge, but due to a co-operation malfunction of the weather and the entities involved, the show was cancelled halfway through and swiftly moved (by the good graces of the Sound Technicians and a handful of volunteers) to The Anchor Pub and Club, where the spontaneous scenery change ignited the fumes from the frustrations of the day, and set the place on fire. Contrary to what would be expected with weather setbacks and the like, the event lost no steam. Kill Tango opened ferociously at the new venue, debuting their sound to a select crowd of people who followed them, and even volunteered to help them across town, to hear them. This is what the Alaskan music scene, and Kill Tango, are made of.

The new sound, overall, has been very well received. Both Bryan and Bill agree, "it's heavier," but they still capture that sing-and-dance feel of classic pop, rock, and dance music that is Kill Tango. When asked why they chose to assemble a new line-up, Bill said, "We needed something new. We needed to create new energies." Bryan added, "And our drummer was leaving for a month, and that turned into all summer," so the two decided to move on. Shawn Dillard, lead vocalist and guitar player for Spitshine (Anchorage punk band), was Kill Tango's former bass player, and just recently had a baby boy (Congratulations from Anchorage Night Out!). With a job, a family, and continuous gigging with Spitshine, Kill Tango and Shawn Dillard decided to part ways.

Hutch White and Shawn Dillard are long-time friends, and the two have played the same stages for years. Hutch, bass player for former Anchorage band Dopiate, mentions Spitshine as one of his favorite local bands, and says Shawn made the transition easy on him, even gave him a few hints to give him a head start on the songs. Hutch also says it was easy to shift from the role of "fan" to "band member," because Kill Tango had been gigging alongside Dopiate and Spitshine for years, and it just felt natural. I asked Bill and Bryan what attributes they saw in Hutch that made them choose him as a replacement. They both commented that Hutch having competent, solid bass skills was secondary to the fact that he is an outstanding person. This, and other testimony, leads me to believe that his senior has shoes just as big, and Kill Tango chose the right feet to fill the bass clef. Another congratulations is due, as Hutch and Britany Lynne White were married (8/12/11)!

Dustin Murr, also drummer for Wolf Electric, an indie rock band hailing from Chugiak, Alaska, says his only struggles are juggling schedules for practicing and performing in both bands, and also maintaining a family and a job. He says it pushes him to keep up his chops, as not to overuse drumming techniques in either group. He was even double booked for Summer Haze, but managed to play both shows like a rockstar, flying from gig to gig. Dustin got offered an audition for the drum slot for Kill Tango via text, after the first chosen replacement proved a style not quite complementary to what the rest were doing. Jokingly, at first, he said he's in it for the beer and the money, then claims that he gets to explore different things with Kill Tango, musically, than he does with Wolf Electric. His first band is more dynamically centered, and precise, while Kill Tango allows Dustin musical expression in new areas.

The group is talking about planning a "mini-vacation" to New York to record, where The Hoons' and Heroes and Zeroes' manager Erik Braund currently resides, and runs a recording studio under Braund Recording Company, of Braund International Entertainment. Kill Tango released an EP back in February of 2011 with the old line-up, and played their KZND Homegrown Artist Of The Month CD Release Party with special guests Norwegian rockers Heroes and Zeroes, a noteworthy accomplishment for their musical resume. Other than a few shows in New York, when the time comes, the band has no immediate plans for touring, although they might be seen out and about, touring the state of Alaska (which is comparable to the length of a West Coast tour, with a tenth as many cities to play) in the near future.

When asked about their influences locally, all four members of Kill Tango named The Hoons. This isn't surprising; they've played countless numbers of shows together, they're two bands out of very few that are still local and have a record of any sort of longevity, and they're both damn good. There's even a clever phrase that has been coined for shows that both bands play: "HoonTang." This isn't to say The Hoons are the only band listed as favorites of KT. Gibson mentioned Turquoise Boy as his new local interest, and Hutch says Noise Brigade is his favorite group of up-and-comers. Kill Tango influences many others in town, as well. You can find stickers supporting KT on guitars, cases, and random bathroom walls in bars all over town. Kill Tango had already left a footprint on the city of Anchorage, and having recently 'shed its' skin' one more time, they don't plan on stopping there.

The "renewal" that this community, myself, and Kill Tango are going through is a central theme that runs through my mind more and more often every day. I respect and empathize with those that have a will to improve upon themselves, especially when they must replace something or someone they care about to do so. That's the ultimate goal in this world, isn't it? To improve? It is not an easy task to replace a band member, tons of feelings are involved, and it can cause serious waves of emotion with a scene as tightly knit as Anchorage. Friendships can be lost or destroyed in the blink of an eye. Kill Tango, however, has escaped this peril, and has successfully recommenced, in-tact, and in full-force. Their new material is unlike anything Anchorage has heard from them in the past, which says a lot, as they had always pushed that boundary. The new line-up is serious, heavy, and dedicated, yet they stay true to the nature of Kill Tango. These gentlemen know what it's like to rock your face off, and they do it with ease, style, grace, and class.

Jeremie plays bass guitar in Anchorage rock band Robots Helping Clones and is an Assistant Editor at Anchorage Night Out. You can reach him at bands@anchoragenightout.com.

Feel free to leave your comments below!

Hit Counter

08/08/2011 - Anchorage CHARR - Off the Road

Mon, 08 Aug 2011 08:00:00 GMT

A safe way home

Off the Road is an innovative program that keeps local streets much safer by providing free rides home for impaired drivers 21 years of age and older and their vehicles. The Anchorage Cabaret, Hotel , Restaurant and Retailers Association ( Anchorage CHARR) sponsors the program, which is available to patrons of a participating licensed beverage premise in the Anchorage Bowl. Anchorage CHARR is a trade organization that represents more than 150 restaurants, hotels, bars, convenience stores and tourism-related businesses.

Off the Road removes the number one excuse for driving under the influence- the motorist not wanting to leave their vehicle behind.

How it Works

A licensed establishment calls a taxi company if a patron should not drive home. Two taxis respond. One taxi driver takes the patron home and the other follows with the patron's vehicle. The service is available from Rabbit Creek Road to Ft. Richardson, seven days a week, from 10 a.m. to 3 a.m.

Off the road operates on vouchers and is funded by government grants, corporate sponsors, licensed establishments and the hospitality industry. Anchorage CHARR administers and monitors the program.

Several taxi companies in Anchorage participate in the program, which required special legislation to limit the taxi drivers' liability.

A Record of Success

Many communities offer alternative ride programs, particularly during the holidays, but most leave the vehicle behind. Some areas make the service available year-round, including Aspen Colorado, which instituted what it calls Tipsy Taxi 20 years ago. A recent study by the National Highway Traffic Safety Administration found that the Tipsy Taxi program "significantly reduced nighttime injury and fatal crashes."

Current Program Members

A few of the proud Anchorage CHARR members whom are Off the Road participants are as follows:

Anchor Pub & Grill Anchorage Moose Family Center Avenue Bar

Bear's Tooth Bernie's Bungalow Blue Fox

Carpentier's Lounge Chilkoot Charlies Club Elixir

Crossroads Lounge Darwin's Theory Eagleglen Golf Course

F Street Station Fantasies on 5th Flight Deck

Frat. Order of Eagles 4207 Gallo's Mexican Restaurant Garcia's Restaurant

Gaslight Lounge George's Homestead Glacier Brewhouse

Great Alaskan Bush Company Gwennies Restaurant Hacienda Restaurant

Jens Restaurant La Cabana Mexican Restaurant Long Branch Saloon

Moose's Tooth Orso's Petroleum Club

Pioneer Bar Polar Bowl Post 2

Post 49 Reilly's Romano's Restaurant

Rumrunners Sea Galley Time Out Lounge

VFW 10252Woodshed

07/19/2011 - Table 6 Review

Tue, 19 Jul 2011 08:00:00 GMT

Table 6 Review

by Mike Komrosky

Table 6 in Midtown is the latest arrival to the eatery scene in Anchorage; it is a welcome addition to the area and its fare is refreshingly far from run of the mill. That said, what else would you expect from the owners of the also delicious Haute Quarter Grill in Eagle River? While you may not find the HQG's decadent menu at Table 6, you will find Anchorage's preeminent version of a BLT, known here as the CBLTA. But Table 6 does not stop with great sandwiches; the menu goes far beyond and shows you that the head chef and crew can more than rise to the challenge.

As you enter Table 6, you are greeted by a friendly smile and have the option to belly up to a bar seat or one of their ample high-chaired tables, both are within view of the full bar and televisions and all are within range of the entertaining music. Even though I was there for the lunch rush, I was quickly seated and immediately attended to by the super friendly Caylee.

For eats; I recommend everything from the sandwich menu but the Reuben, CBLTA, and "fork and knife" are stand outs. The salads are great; try any of them with the raspberry vinaigrette or add one the available options of fish, shrimp or chicken or even TOFU! For drinks: don't forget to wash your order down with one of their 30 something craft beers (bottle and tap) or one their cleverly named libations: go ahead and try the "AK Glacier", or the "I'm all shook up" or the "Acai Berry Cosmopolitan" for a refreshing buzz. Keep in mind folks, this is only the lunch menu so far, the dinner menu includes full sized range of mouth-watering entrees and expanded choices of appetizer plates.

Give Table 6 a try and you are sure to enjoy the eclectically entertaining art on the walls to the excellently prepared grub and attention-grabbing electric brick red interior. One piece of advice before you jump in, check the menu online @anchoragnightout.com (HERE) before you go, because the amount of choices will surprise you and bring an empty stomach.

With a super friendly staff, great food and bright, eclectic indoor setting, this grill has all of the makings of a true success for years to come. You should definitely check this place out before word gets out and you can't get in without a reservation!

Cheers!

06/26/2011 - Alaskan artist comes home, brings Portland with her.

Sun, 26 Jun 2011 08:00:00 GMT

Born and raised in Alaska – Naomi Hooley sold most all her belongings, threw everything that could fit in her truck, including her newfoundland dog Triton, and made the move to Portland, OR to pursue a career in music. Not knowing what would happen when she got there, Hooley believed somewhere in that city was a place for her, and her music. After spending eleven months recording an album that she wanted to be proud of, she comes home to give Alaska her debut album and her first of three CD releases on the west coast.

For a local girl that had fallen through ice and lived off the land in the deep woods, the hardest thing she ever did was pack up that piano and get in that truck. But 3000 thousand miles of small town bars and backwoods trails filled with vagabond wanderers who had given up jobs and left behind lives to find a new path led to a new found voice, a satchel full of songs, and a brand new home.

Working with Stroup, “It was a Great October” is Hooley's 12-song Odyssey of loss and redemption set on endless two lane highways in the great white north in 1972. Her companions, a velvet-frocked, furious Carole King, an audacious young Elton John, and a Keith Green who never found God. Drawing frequent comparisons to the boom of Neko Case or the fire of Adele, Hooley's voice commands your attention from the first lines of “Button” to the final phrases of “October”. Her record covers a lot of ground lyrically – but at the heart of it all is the journey. The 3000 miles, the relationships that were impacted, the land a seascapes she saw along the way, and the childhood dreams that were a driving force behind it all. Alaskans will be familiar with the imagery.

Rob Stroup, owner, operator, and producer of 8ball Studio (www.8ballstudio.com) who has extended his talents into every record he's produced. Including a recent charting album by Tony Furtado “Golden”. will be headlining the night with his band “Rob Stroup and the Blame”. “The Blame” invokes sounds reminiscent of Bob Dylan and JJ Cale, but capture you with the textures and depths of Wilco. Stroup confidently weaves Americana and Rock together to form a colorful night of memorable music. His rugged vocals will lure you to the dance floor and remind you of why rock rolls.

And now, backed by Stroup's band The Blame, Naomi Hooley returns home, record in tow, to finish what she'd begun 365 days and 3000 miles ago.

Naomi Hooley and Rob Stroup's acoustic Alaskan tour:
July 7th- Vagabond Blues- Palmer 6pm-8pm
July 8th- Resurrect Art Coffee House- Seward
July 9th- Maxines Bistro- Girdwood

Naomi Hooley & Rob Stroup & the Blame Alaskan tour & CD release:
July 14th & 15th- Tap Root - Anchorage
July 16th- Alice's Champagne Palace- Homer

http://www.reverbnation.com/naomihooley

05/19/2011 - Crush Review - "Crush-ing is fun"

Thu, 19 May 2011 08:00:00 GMT

“Crush-ing is fun”

Mike Komrosky

May 15^th, 2011

If you see Crush from the outside, I offer a reminder of the saying, “don’t judge a book by the cover”; the restaurants interior ambiance and fare are far more substantive than its outward appearance. Presumably, that is the way they prefer to keep it, so don’t look for a facelift coming anytime soon, their bread and butter is high quality food artfully prepared. Further, the friendly servers are open to questions regarding the vast (and growing) wine list, suggested pairings with the food and techniques of the chefs, all this made for an entirely enjoyable dining experience.

We immediately ordered one of our favorites, charcutirie and cheese; it was admired for its design and subsequently devoured for its appeal. The plate offers ripe strawberries, assorted nuts and olives, aged Parmesan, unique and artisan cheeses, succulent salamis and delicious Prosciutto that combine to delight the senses and fill the stomach with an appetizer unmatched in Anchorage says yours truly. Ordered drinks included 2 white wine flights for the ladies that were reported as delightful and 2 carbon copies of a brand new Organic beer called the Pike Naughty Nellie, also fantastic.

Dinner for our four top included a wealth of tapas from the Mac and Cheese, to the Lasagna to the phenomenal Crab Cakes. All were very good and cleverly garnished, but without a doubt, the star of the night was the braised Oxen Tail, the 8 hour Bolognese was reduced to perfection, the tail was tender and moist and the presentation of the meat on top of the chive mashed potatoes was a treat. Once all were devoured, we realized we ate too much, laughed too hard and finally had to throw in the towel and regretfully refuse the delightful assortment of desserts.

We gleaned from our waiter that the food is local, the clientele is local, the chefs and servers are die-hard local and every tourist is not always welcome, thus making it the quintessential downtown Anchorage Night Out for locals.

02/20/2011 - Anchorage Fur Rondy

Sun, 20 Feb 2011 08:00:00 GMT

The Fur Rondy Festival is a significant part of the history and tradition of Anchorage. In the mid 1930's, Anchorage was just a small town of about 3,000 people that stretched between Park Strip and Ship Creek. There were no televisions, malls or movie theaters, no video games, ipods or computers, not even an Iditarod! Winters were brutal and stoking fires, shoveling snow and surviving the elements was the basic daily pastime in those days. For all your Anchorage Fur Rondy Event's go to: http://furrondy.net